"This musical box don't like the thunder," said I; "she's turned sour."
"Are you stopping here for the lady, or do you want to get back to Paris?"
"Oh," says I, "I haven't taken a lease of this particular furlong, if that's what you mean."
"Then I'll give you a tow," says he, and without another word, he got down from his seat and began to make a job of it. We were at Vendreux half an hour afterwards, and there we breakfasted together in the French fashion. That meal, I always say, was the luckiest friend Ferdinand ever ate.
He told me a lot about himself and a lot about his car; how he had been everything in America, from log-roller in the backwoods to cook in the Fifth Avenue palaces; how he met Herr Jornek, the designer of the Modena car, on a trip to St. John's to explore Grand River, and how he had come back to Europe to drive it in the big race. His luck, he said, had been out in New York because of a woman; to get far away from that particular lady was the inducement which carried him to Europe.
Here was something to awaken my curiosity, as you may well imagine, and I asked him all sorts of questions about the girl; but to no good purpose. His interest was in the car, one of the first made by the famous Herr Jornek, and called the Modena after the factory in that town. He told me it was unlike any car on the market, and that new features of gearbox, ignition, and engine design would certainly stamp it a winner if no bad luck overtook him. This persistent talk about misfortune set me wondering, and I fell to questioning him a little more closely about his story, and especially that part of it which concerned the woman.
"Who is the lady, and how did she interfere with you?" I asked. He would say no more than that he had known her by half a dozen names over in America, and that she was formerly a dancer at the old Casino Theatre in New York.
"She's done everything," he said: "gone up in balloons, ridden horses astride at Maddison Square Gardens, played the cowboys' show with Buffalo Bill, and sailed an iceboat on the Great Lakes. Whenever she's out to win I'm out to lose. Make what you like of it, it's Gospel truth. As certain as I'm up for one of the big prizes of my life, the girl's there to thwart me. If I were what my schoolmaster used to call a fatalist, I'd say she was the evil prophetess who used to play ducks and drakes with the soldier boys at Athens. But I don't believe anything of the sort—I say it's just sheer bad luck, and that woman stands for the figure of it."
I was troubled to hear him, and put many more questions. How did the girl thwart him? Was it just an idea, or had he something better to go upon? He did not know what to say; I could see it troubled him very much to speak of it.
"She puts it into my head that I shall lose, and lose I do," he said; "it's always been the same, and always will be. When I rode that great leaping horse, Desmond, and put him over the fences, she was in the arena with a bronco, and she just looked up to me as sweetly as a child, and said, "Ferdy, your horse is going to fall next time," and fall, sure enough, he did, and laid me on my bed for more than a month. After that I rode the bicycle match against the Frenchman, Devereux, and there she was, dressed like a picture amongst the crowd, and smiling like an angel in the Spanish churches. When I nodded to her she called me back a moment, and just put in her pretty word.