Exactly as in the stone-paved hall of the lower story, where we watched the great central steam-engine feeding itself, so we find in other rooms large machine monsters moving up and down, and to and fro, rattling, hissing, and thumping, and frequently not doing anything that we can see, although our guide tells us, that the results of their labours will become apparent to us in other parts of the building. And they stand, moreover, alone, completely left to themselves; in the rooms in which they work, in the corridors leading to those rooms, not a human creature is to be seen, not a human step to be heard, nor is there a trace of human influence that we are aware of. And then this measured rotation of the large wheels; the busy movement of the straps; the never tiring restlessness of the pistons, which seem to move faster the longer we look at them. There is something grand in these rooms, void of the presence of man, where the mind of man invisibly hovers over the world of machines, as the Spirit of God over the face of the waters in the hour of creation. It is grand, but it is also awful.
We feel quite relieved when we get down into the paved court-yard, where a living two-legged labourer walks by; and yet neither the place nor the man is very agreeable to look at. The yard has a neglected appearance, and the iron shutters which cover the place where the windows are supposed to be make it still more gloomy.
“That is the library of the Bank,” remarks our guide.
We are not likely to be astonished by anything. We just saw workshops without men; why should there not be a library without books? Let us have patience and wait. Perhaps some very clever machine will open the iron shutter from the inside, thrust forth its arm, and hand us a catalogue. No? Well, for a wonder, our guide, who is very polite, though by no means over-communicative, opens a small door, and motions us to enter.
A low, narrow, vaulted passage, which reminds us of the casemates or bomb-proof galleries of fortresses; a few rays of light straggling in through some grating somewhere; at the end of the passage a heavy iron door which opens into a small windowless room lighted up by the most consumptive-looking gas-jet imaginable. Our eyes are quite unused to the light; but, gradually as we get accustomed to it, we can see the objects around us. We stand in front of a railing, and behind it stands a little man in a black dress coat, and with a white cravat.
“This gentleman is the librarian of the Bank;” says our guide. Still no trace of books.
The man in the black dress-coat opens a door in the railing, bids us enter, and shows us an enormous number of parcels and bundles of notes, ranged along the walls up to the very ceiling. They call this the library of the Bank; but, in truth, it is its lumber room. It is an asylum for the notes which have been paid in at the Bank. They are valueless; for the Bank never issues the same note twice. They are kept and locked up in the library, I forget how many years, in order to be produced in the case of a theft or forgery, or any other matter of the kind. Afterwards they are burnt.
Every now and then clerks come in with fresh bundles. A few minutes ago these small papers were worth—Heaven knows how much money. “They are now mere waste paper. They have had their day. Many a note leads a long and honourable life; goes to the Continent, to India, or Port Adelaide; and returns to the Bank much the worse for wear after all its journeys. Other notes have scarcely a day’s roving license in the world; to-day they are issued, and to-morrow they are paid in. It’s accident, or fate, or Providence.” Saying which the librarian makes his bow, turns round, and returns to his desk.
We leave the library. The way is frequently very short from the old bookshop where good books and bad books are alike given up to dust and moths, to the printing-office, from whence they are launched forth into the world. Thus it is in the Bank. We have scarcely left the library, and we are already in the department where they print the notes.
The printing from the plates is simple enough. The wonders of the machinery consist chiefly in the spontaneous advance of the numbers (each note has its own number, and a double set too), and in the control which the machine exercises over the workmen. There is no inspector to watch the printer. The machine, which he compels to print, compels him to be honest. The machine registers the exact numbers that are being printed, and registers them too in a distant part of the establishment. That the machine can do this with astonishing accuracy; that it masters the intricacies of our system of numbers; and that it produces the numbers at the same moment in different places; is a triumph of human invention which almost startles us. It is also the result of the various systems of wheels which we saw working all alone in other parts of the building.