The Ego and His Own

by Max Stirner

In the next place, if he did labor only on his own account, like the rest, why should his act be human, those of the rest unhuman, i. e. egoistic? Perhaps, because this book, painting, symphony, etc., is the labor of his whole being, because he has done his best in it, has spread himself out wholly and is wholly to be known from it, while the work of a handicraftsman mirrors only the handicraftsman, i. e. the skill in handicraft, not "the man"? In his poems we have the whole Schiller; in so many hundred stoves, on the other hand, we have before us only the stove-maker, not "the man."

But does this mean more than "in the one work you see me as completely as possible, in the other only my skill"? Is it not me again that the act expresses? And is it not more egoistic to offer oneself to the world in a work, to work out and shape oneself, than to remain concealed behind one's labor? You say, to be sure, that you are revealing Man. But the Man that you reveal is you; you reveal only yourself, yet with this distinction from the handicraftsman,—that he does not understand how to compress himself into one labor, but, in order to be known as himself, must be searched out in his other relations of life, and that your want, through whose satisfaction that work came into being, was a—theoretical want.

But you will reply that you reveal quite another man, a worthier, higher, greater, a man that is more man than that other. I will assume that you accomplish all that is possible to man, that you bring to pass what no other succeeds in. Wherein, then, does your greatness consist? Precisely in this, that you are more than other men (the "masses"), more than men ordinarily are, more than "ordinary men"; precisely in your elevation above men. You are distinguished beyond other men not by being man, but because you are a "unique"[91] man. Doubtless you show what a man can do; but because you, a man, do it, this by no means shows that others, also men, are able to do as much; you have executed it only as a unique man, and are unique therein.

It is not man that makes up your greatness, but you create it, because you are more than man, and mightier than other—men.

It is believed that one cannot be more than man. Rather, one cannot be less!

It is believed further that whatever one attains is good for Man. In so far as I remain at all times a man—or, like Schiller, a Swabian; like Kant, a Prussian; like Gustavus Adolphus, a near-sighted person—I certainly become by my superior qualities a notable man, Swabian, Prussian, or near-sighted person. But the case is not much better with that than with Frederick the Great's cane, which became famous for Frederick's sake.

To "Give God the glory" corresponds the modern "Give Man the glory." But I mean to keep it for myself.

Criticism, issuing the summons to man to be "human," enunciates the necessary condition of sociability; for only as a man among men is one companionable. Herewith it makes known its social object, the establishment of "human society."

Among social theories criticism is indisputably the most complete, because it removes and deprives of value everything that separates man from man: all prerogatives, down to the prerogative of faith. In it the love-principle of Christianity, the true social principle, comes to the purest fulfilment, and the last possible experiment is tried to take away exclusiveness and repulsion from men: a fight against egoism in its simplest and therefore hardest form, in the form of singleness,[92] exclusiveness, itself.

"How can you live a truly social life so long as even one exclusiveness still exists between you?"