They are on a great variety of chalcedonies, sards, jaspers, and other beautiful stones of color.
Those of the Assyrians, dating as far back as 1110 B. C., resemble in form the bells herdsmen hang upon their grazing cattle that they may hear them when they have strayed.
The location of the ancient Persians in proximity to India, whose river-beds were rich in varieties of hard water-worn pebbles, enabled them to procure from thence suitable stones for decoration and for inscriptions. Thousands of these decorated and inscribed stones have been unearthed and are to-day in our possession; glyptologists can and have read them. Many examples of these cylinders, seals, and their imprints are before you.
It is proven that the Assyrians knew of and practiced the art of engraving on stone; we are not fully convinced that they were the first to practice the art.
We are frequently able to corroborate glyptic inscriptions by statements in Holy Writ, though we certainly find on ancient cylinders, incisions many centuries anterior to the records to which we have here alluded.
We know little of the Assyrian divinities through ancient manuscripts, yet we have volumes about their deities written on the cylinders of Babylon and Nineveh. They were seldom in metallic mountings, but, being pierced with holes, were strung on cords and worn on the wrist and neck.
There is a host of occupants of the Assyrian heaven, with Asshur the supreme god, Beltis Mylitta the great mother, etc.; and on the seals in sard and chalcedony we have sacred doves, lions, horses, etc., and a winged bull, Nin, the god of hunting, etc.
These intaglio seals were often used as locks; the doors of wine-cellars were secured by placing a seal upon them. Cylinders have also been made by several races of South American Indians, and are still to be seen in Brazil.
BABYLONIAN CYLINDERS, THE SOURCE OF HISTORY.