"Yes; it is the dress of a flower-girl."
"What is the play?"
"I forget the name," said the actress, indifferently; "it is a French vaudeville, written expressly for us. I am Ninon, a flower-girl, with two or three songs to sing. Will you come?"
"Thank you, I should like to go. It keeps me from thinking for a few hours, and that in itself is a blessing. What a miserable, worthless piece of business life is! I think I shall buy twenty cents worth of laudanum, some of these days, in some apothecary-shop, and put an end to it altogether."
The jarring, reckless tone had returned, and was painful to hear. The actress sewed, steadily on, replying not.
"It is well enough for those girls," Miss Wade said; "those rough, noisy, factory girls, brawny arms, and souls that never rise above a beau or silk dresses; but for me and for you, who were born ladies—it is enough to drive us mad! Look at me!" she cried, rising to her feet; "look at me, Miss Johnston! Do I look like one born for a drudge? Do I look like the women who fill this house?"
Miss Johnston looked up at the speaker, doing a little private theatrical tragedy, with her pale, quiet face, unmoved. Perhaps she had grown so used to tragedy that it had become stale and wearisome to her; and the regal figure drawn up to its full height, the white face, and flaring eyes, disturb her no more in her poor room, than Lady Macbeth, in black velvet, with blood on her hands, did on the theatrical boards.
"No," she said, "you are not at all like the factory-hands, Miss Wade. I never doubted you were born a lady."
"And a lady, rich and happy, flattered and courted, I should have been yet, but for the villainy of a man. My curse upon him, whether he be living or dead."
She began pacing up and down the floor, like any other tragedy-queen. Miss Johnston, finding it too dark to sew, arose, lit a candle, stood it on a wooden box that did service for a table, and composedly pursued her work.