Supper ended, Mr. Thorndyke was wheeled back to his post in the front room beside the fire. Norine never came near him all the rest of the evening, she sat at the little piano, and poured out her whole heart in song. Richard Gilbert, full of miserable, knawing jealousy, understood those songs; perhaps Laurence Thorndyke, lying with half-closed eyes, half-smiling lips, did too. They were old-fashioned songs that the lawyer had sent her, favorites of his own: "Twere vain to tell thee all I feel," and "Drink to me only with thine eyes." Yes, the meaning of those tender old ballads was not for him. It was maddening to see Laurence Thorndyke lying there, with that conscious smile on his lips; he could endure no more—he arose with the last note, abruptly enough, and bade them good-night.
"What! so early, Gilbert?" Thorndyke said, looking at his watch. "What a dickens of a hurry you're in. You've got no clients in Portland, have you? and Miss Bourdon, is going to sing us half-a-dozen more songs yet."
Mr. Gilbert paid no attention whatever to this flippant young man. He turned his back upon him indeed, and explained elaborately to Uncle Reuben that it was impossible for him to remain longer to-night, but that he would call early on the morrow.
"He is very much changed," remarked Aunt Hester, thoughtfully; "don't you think so, Norry? He's nothing like so pleasant and free, as he used to be."
"Particularly grumpy, I should say," interposed Mr. Thorndyke. "'Pleasant and free' are the last terms I should think of applying to Richard Gilbert. Not half a bad fellow either, old Gilbert, but an awful prig—don't you think so, Miss Bourdon?"
"I like Mr. Gilbert very much," Miss Bourdon answered, strumming idly on the keys; "and I think him pleasant. He seemed out of spirits to-night, though, I fancy."
It was bright, frosty starlight as the lawyer walked back to town. He walked rapidly, his head well up, a dark frown clouding his face.
"Any one but Thorndyke—any one but Thorndyke!" he was thinking bitterly. Alas! Mr. Gilbert, would you not have been jealous of the Archbishop of Canterbury had that dignitary been "keeping company" with Miss Bourdon? "And she loves him already—already. A very old story to Laurence Thorndyke. Six-and-twenty years, a well-shaped nose, two blue eyes, a mustache, and the easy insolence of the 'golden youth' of New York. What else has he but that? What else is needed to win any woman's heart? And hers is his, for good or for evil, for ever and ever. He is the Prince Charming of her fairy tale, and she has caught his wandering, artist fancy, as scores have caught it before. And when I tell her the truth, that his plighted wife awaits him, what then? Little Norine! to think that you should fall into the power of Laurence Thorndyke."
Yes, she was in his power—for she loved him. Had it all not been so delightfully romantic, so like a chapter out of one of her pet novels, that first meeting, when Fate itself had flung him wounded and bleeding at her feet? Was it not all photographed forever on her mind, a picture whose vividness time never could dim! It had befallen in this way:
On the afternoon of the third of November Miss Bourdon had driven over in the light wagon from the farm to the city, to receive her usual, eagerly-looked-for package from Mr. Gilbert. It had been dark and windy from early morning. As the afternoon wore on, the sky grew darker, the wind higher. She got her bundle of books, visited one or two stores, one or two friends, and night had fallen before she turned old Kitty's head towards Kent Farm. A faint and watery moon made its way up through the drifts of jagged cloud, and the gale howled through the street as though it had gone mad. It was a lonely and unpleasant ride; but old Kitty could have made her way asleep, and Norine sang to herself as she drove slowly along. They were within a quarter of a mile of the house, when Kitty pricked up her red ears, gave a neigh of alarm, and shied from some long, dark object lying motionless across her path. Norine bent over and looked down. There, she saw, lying on his face, the prostrate form of a man.