It was a very grand and imposing ceremonial, that burial of Lady Thetford; and side by side with the heir walked the unknown painter, Guy Legard. Col. Jocyln was not the only friend of the family shocked on this occasion. What could Sir Rupert mean? And what did Mr. Legard mean by looking ten times more like the old Thetford race than Sir Noel's own son and heir?
It was a miserable day, this day of the funeral. There was a sky of lead hanging low like a pall, and it was almost dark in the rainy afternoon gloaming when Col. Jocyln and Sir Rupert Thetford stood alone before the village church. Lady Thetford slept with the rest of the name in the stony vaults; the fair-haired artist stood in the porch, and Sir Rupert, with a face wan and stern, and spectral, in the dying daylight, stood face to face with the colonel.
"A private interview," the colonel was repeating; "most certainly, Sir Rupert. Will you come with me to Jocyln Hall? My daughter will wish to see you."
The young man nodded, went back a moment to speak to Legard, and then followed the colonel into the carriage. The drive was a very silent one—a vague, chilling presentiment of impending evil on the Indian officer as he uneasily watched the young man who had so nearly been his son.
Aileen Jocyln, roaming like a restless ghost through the lonely, lofty rooms, saw them alight, and came out to the hall to meet her betrothed. She held out both hands shyly, looking up, half in fear, in the rigid, death-white face of her lover.
"Aileen!"
He took the hands and held them fast a moment; then dropped them and turned to the colonel.
"Now, Col. Jocyln."
The colonel led the way into the library. Sir Rupert paused a moment on the threshold to answer Aileen's pleading glance.
"Only for a few moments, Aileen," he said, his eyes softening with infinite love; "in half an hour my fate shall be decided. Let that fate be what it may, I shall be true to you while life lasts."