So Sarah was reduced to herself as an authority upon this question for the present, and not being by any means a safe authority, she did not get a wise answer, which might have saved her a great deal of vexation and annoyance; for Sarah decided that George was quite wrong. There were things which were not wrong, and yet one could not help being ashamed of them; and one thing Sarah was ashamed of was having parents who were not only uneducated, but had unrefined ideas.
Sarah had one day-dream, absurd as it may seem, of which she never spoke. Sarah always cherished the hope that she might some day find that she and her brother were not really George and Sarah Clay, but adopted children of Mark Clay, and that by-and-by the news would be broken to them. And yet Sarah was a well-educated, intelligent girl of sixteen, and lived in the twentieth century. The fancy arose from a remark her father once made when she was quite a child: 'They are not my children; they are a cut above me. They've got their mother's features, but they'll have nothing of me but my money.' And upon this half-bitter, half-proud speech of Mark Clay's Sarah built her romance, which varied as she invented different explanations of the mystery from time to time; but her favourite one was that her mother first married a lord who was ashamed of his wife, and would not acknowledge his children until they were grown up and properly educated; and Sarah used to picture the reconciliation between them and their proud relatives, for whose benefit she composed many fine speeches full of reproof and final forgiveness.
This may be a little excuse for her want of respect to her father, Mark Clay, by speaking of whom, it will be remembered, as 'your husband' she used to anger her mother. She even half-thought of telling Horatia this tale; but Horatia had a way of turning everything into ridicule, and one of the many things that Sarah could not stand was being laughed at.
The same motor that took George Clay to the station took Sarah that afternoon to meet Horatia Cunningham, who was to arrive at six o'clock, and who persisted in arriving at that hour, although Sarah had written to her and warned her it was the hour when the mill-hands came out; she said she did not mind at all, and supposed that she would be quite safe in a motor with its smart chauffeur; and Sarah, looking so fresh and dainty that many a one turned and looked after the millionaire's pretty daughter, started off for the station, and not one of them guessed she was feeling nervous, and wished with all her might that she were going on another errand. The girl even wished that something might have happened to prevent her friend from coming; but when the train stopped she saw the wish was vain, for Horatia's face was smiling at her from a window, and Sarah forgot her fears for the moment, and smiled back a welcome.
CHAPTER VII.
HORATIA'S ARRIVAL.
Sarah stepped forward to help Horatia down from the carriage, and suddenly her expression changed to one of mingled surprise and annoyance; seeing which, the young visitor, with a merry laugh, jumped from the carriage to the platform, ignoring the steps and Sarah's outstretched hand.
'There! I said so, didn't I, Nanny?' she cried, turning to her maid, a highly respectable, middle-aged woman, with as good-humoured a face as her young charge.—'Sarah, I said the minute you saw us come out of a third-class carriage you would put on that shocked face of yours. That's partly why I did it.'
'You must excuse Miss Horatia, miss. She's full of mischief, and she got into this carriage at the junction without my seeing what class it was, or I would never have allowed her to do such a thing as arrive here third, with you to meet her, and the "chauffer" and all,' said Horatia's maid.