That Very Mab

by May Kendall; Andrew Lang

'How curious it is,' said Queen Mab, 'that of all the many thousand offerings only a very few, namely, those hung at a certain height from the floor, are really visible to any one who is neither a fairy nor a bird.'

'The pieces which you observe,' remarked the Owl, 'are almost in every case the work of the Forty Priests of Beauty, of the Thirty Acolytes, and of their cousins, their sisters, and their aunts. Those other attempts, almost invisible, as you say, to anyone but a bird or a fairy, have been produced by other worshippers not yet admitted to the Holy Band.'

'Then,' asked the Queen, 'are the Forty Priests by far the most expert in devising objects truly beautiful, and really worthy of the Goddess of Beauty?'

'On that subject,' said the Owl, 'your Majesty will be able to form an opinion after you have examined the sacrifices at the shrine.'

Swiftly as Art Critics the winged spectators flew, invisible, round the galleries, and finally paused, breathless, on the gigantic group of St. George and the Dragon, then in the Sculpture Room.

'Well, what do you think?' asked the Owl.

'The Forty Priests,' replied Queen Mab, 'are, with few exceptions, men who seem to have been blinded, perhaps by the Beatific Vision of Beauty. If the Beatific Vision of Beauty has not blinded them, why are they and their friends so hopelessly absurd? Why do they have all the best of the shrine to themselves, while the young worshippers are consigned to holes and corners, or turned out altogether? Who makes the Forty the Forty? Does the goddess choose her own Ministers?'

'By no means,' said the Owl, 'they choose themselves. Who else, in the name of Beauty, would choose them? But you must not think that they are all blind or stupid; there are some very brilliant exceptions,' and he pointed triumphantly to the offerings of the High Priest and of five or six other members of the Fraternity.

'This is all very well, and I am delighted to see it,' said Queen Mab, 'but tell me how the choosing of the Forty and of the Acolytes is arranged. 'When one of the Forty dies,' replied the Owl, 'which happens only at very long intervals, for they belong to the race of Struldbrugs, several worshippers who have become bald, old, nearly sightless, with other worshippers' still young and strong, are paraded before the Thirty-nine. And they generally choose the old men, or, if not, the young men who come from a strange land in the North, where rain falls always when it is not snowing, and whither no native ever returns. If such a man lives in a fine house, and has a cunning cook, then (even though he can paint) he may be admitted among the Forty, or among the Thirty who attain not to the Forty. After that he can take his ease; however ugly his offerings to Beauty, they are presented to the public.'

'Well,' said Queen Mab, 'my curiosity is satisfied, and I no longer wonder at the permanent scarecrows. But one thing still puzzles me. What becomes of the offerings of the Forty after the temple closes?'