"It certainly doesn't at present."
"Please be serious. You're not helping me one bit. Look at that pile of things Liberty's have sent me! First of all, I want you to choose between them. Then I want you to suggest a colour-scheme, and to tell me the difference between Louis Quinze and Louis Quatorze (I can't remember), whether it'll do to mix Queen Anne with either. And whether would you have old oak, real old oak, or Chippendale, for the furniture? and must I do away with the cosy corner?"
Ted felt his head going round and round. Artistic delight in Audrey's beauty, pagan adoration of it, saintly belief in it, the first tremor of crude unconscious passion, mingled with intense amusement, reduced him to a state of utter bewilderment. But he had sufficient presence of mind to take her last question first and to answer authoritatively—
"Certainly. A cosy corner is weak-minded and conventional."
"Yes, it is. I'm not in the least conventional, and I don't think I'm weak-minded. And I want my room to express my character, to be a bit of myself. So give me some ideas. You don't mind my asking you, do you? You're the only artist I know."
"Am I really? And if you knew six or seven artists, what then?"
"Why, then—I should ask you all the same, of course."
Boy-like he laughed for pure pleasure, and boy-like he tried to dissemble his emotion, and did her bidding under a faint show of protest. He gave his vote in favour of Venetian glass and a small marble Diana, against majolica and a French dancing-girl in terra-cotta; he made an intelligent choice from amongst the various state-properties around him, and avoided committing himself on the subject of Louis Quatorze. On one point Audrey was firm. For what reasons nobody can say, but some Malay creeses had caught her fancy, and no argument could dissuade her from arranging them over the Neapolitan Psyche which she had kept at Ted's suggestion. The gruesome weapons, on a background of barbaric gold, hung above that pathetic torso, like a Fate responsible for its mutilation. Audrey was pleased with the effect; she revelled in strong contrasts and grotesque combinations, and if Liberty's had sent her a stuffed monkey, she would have perched him on Psyche's pedestal.
"I know a man," said Ted, when he had disposed the last bit of drapery according to an ingenious colour-scheme, in which Audrey's hair sounded a brilliant staccato note—"a first-rate artist—who was asked to decorate a lady's room. What do you think he did? He made her take all the pictures off the walls, and he covered them over with little halfpenny Japanese fans, and stuck little halves and quarters of fans in the corners and under the ceiling. Then he put a large Japanese umbrella in the fireplace, and went away smiling."
"Was the lady pleased?"