IV.
The round black eye of the mirror looked at them. Their figures would be there, hers and Richard's, at the bottom of the black crystal bowl, small like the figures in the wrong end of a telescope, very clear in the deep, clear swirl of the glass.
They were sitting close together on the old rose-chintz-covered couch. Her couch. You could see him putting the cushions at her back, tucking the wide Victorian skirt in close about the feet in the black velvet slippers. And she would lie there with her poor hands folded in the white cashmere shawl.
Richard knew what you were thinking.
"You can't expect me," he was saying, "to behave like my uncle…. Besides, it's a little too late, isn't it?… We said, whatever we did we wouldn't go back on it. If it wasn't wrong then, Mary, it isn't wrong now."
"It isn't that, Richard."
(No. Not that. Pure and remorseless then. Pure and remorseless now.)
She wondered whether he had heard it. The crunching on the gravel walk under the windows, stopping suddenly when the feet stepped on to the grass. And the hushed growl of the men's voices. Baxter and the gardener. They had come to see whether the light would go out again behind the yellow blinds as it had gone out last night.
If you were a coward; if you had wanted to get off scot-free, it was too late.
Richard knows I'm not a coward. Funk wouldn't keep me from him. It isn't that.