Mamma couldn't remember the garden. She looked at her flowers with dislike.
You had brought her on a visit to a strange, disagreeable place and left her there. She was angry with you because she couldn't get away.
Then, suddenly, for whole hours she would be good: a child playing its delicious game of goodness. When Dr. Charles came in and you took him out of the room to talk about her you would tell her to sit still until you came back. And she would smile, the sweet, serious smile of a child that is being trusted, and sit down on the parrot chair; and when you came back you would find her sitting there, still smiling to herself because she was so good.
Why do I love her now, when she is like this—when "this" is what I was afraid of, what I thought I could not bear—why do I love her more, if anything, now than I've ever done before? Why am I happier now than I've ever been before, except in the times when I was writing and the times when I was with Richard?
VIII.
Forty-five. Yesterday she was forty-five, and to-day. To-morrow she would be forty-six. She had come through the dreadful, dangerous year without thinking of it, and nothing had happened. Nothing at all. She couldn't imagine why she had ever been afraid of it; she could hardly remember what being afraid of it had felt like.
Aunt Charlotte—Uncle Victor—
If I were going to be mad I should have gone mad long ago: when Roddy came back; when Mark died; when I sent Richard away. I should be mad now.
It was getting worse.
In the cramped room where the big bed stuck out from the wall to within a yard of the window, Mamma went about, small and weak, in her wadded lavender Japanese dressing-gown, like a child that can't sit still, looking for something it wants that nobody can find. You couldn't think because of the soft pad-pad of the dreaming, sleepwalking feet in the lamb's-wool slippers.