From the very first his mother said that Ranny was that venturesome. He showed it in his ill-considered and ungovernable determination to be born, and it was hard to say which of them, Ranny or his mother, more nearly died of it. She must have been aware that there was a hitch somewhere; for, referring again and again, as she did, to Ranny's venturesomeness, she would say, "It beats me where he gets it from."
He may have got some of it from her, for she, poor thing, had sunk, adventurously, in one disastrous marriage her whole stock of youth and gaiety and charm. It was Ranny's youth and charm and gaiety that made him so surprising and so unaccountable.
Circumstances were not encouraging to Ranny's youth, nor to his private and particular ambition, the cultivation of a superb physique. For, not only was he a little chemist's son, he was a great furniture dealer's inexpensive and utterly insignificant clerk, one of a dozen confined in a long mahogany pen where they sat at long mahogany desks, upon high mahogany stools, making invoices of chairs and tables and wardrobes and washstands and all manner of furniture. You would never have known, to see him sitting there, that John Randall Fulleymore Ransome was a leader in Section I of the London Polytechnic Gymnasium.
So far, in his way, he testified, he bore his torch. Confined as he was in a mahogany pen, born and brought up in the odor of drugs, and surrounded by every ignominious sign of disease and infirmity, his dream was yet of cleanness, of health, and the splendor of physical perfection. The thing that young Ransome most loathed and abhorred was Flabbiness, next to Flabbiness, Weediness. The years of his adolescence were one long struggle and battle against these two. He had them ever before him, and associated them, absurdly but inveterately, with a pharmaceutical chemist's occupation; of Weediness his father being the prime example; while for Flabbiness, young Mercier, his father's assistant—well, Mercier, as he said, "took the biscuit." It was horrible for young Ransome to inhabit the same house with young Mercier, because of his flabbiness.
In all cities there are many thousand Ransomes, more or less confined in mahogany cages, but John Randall Fulleymore stands for all of them. He was one of those who, in a cold twilight on a Saturday afternoon, stagger from the trampled field, hot-eyed under their wild hair, whose garments are stained from the torn grass and uptrodden earth, with here and there a rent and the white gleam of a shoulder or a thigh; whose vivid, virile odor has a tang of earth in it. He is the image and the type of these forlorn, foredoomed young athletes, these exponents of a city's desperate adolescence, these inarticulate enthusiasts of the earth. He bursts from his pen in the evening at seven or half past, he snatches somewhere a cup of cocoa and a sandwich, and at nine he is seen, half pagan in his "zephyr" and his "shorts," sprinting like mad through the main thoroughfares. In summer some pitch, more or less perfect, waits for him in suburban playing fields; and the River knows him, at Battersea, at Chelsea, at Hammersmith, and at Wandsworth, the River knows him as he is, the indomitable and impassioned worshiper of the body and the earth.
And if the moon sees him sometimes haggard, panting, though indomitable, though impassioned, reeling on the last lap of his last mile, and limping through Wandsworth High Street home to the house of the weedy pharmaceutical chemist his father, if the moon sees Ransome, why, the Moon is a lady, and she does not tell.
If you asked him what he did it for, he would say you did it because it kept you fit, also (if you pressed him) because it kept you decent.
And to know how right he was you had only to look at him, escaped from his cage; you had only to follow his progress through the lighted streets and observe his unbending behavior before the salutations of the night. His fitness, combined with his decency, made him a wonder, a desire, and a despair. Slender and upright, immaculately high-collared, his thin serge suit molded by his sheer muscular development to the semblance of perfection, Ranny was a mark for loitering feet and wandering eyes. Ranny was brown-faced and brown-haired; he had brown eyes made clear with a strain of gray, rather narrow eyes, ever so slightly tilted, narrowing still, and lengthening, as with humor, at the outer corners. There was humor in his mouth, wide but fine, that tilted slightly upward when he spoke. There was humor even in his nose with its subtle curve, the slender length of its bridge, and its tip, wide spread, and like his mouth and eyes, slightly uptilted.
Ranny, in short, was fascinating. And at every turn his mysterious decency betrayed the promise of his charm.