He had finished his letter and had not begun writing again. He was only looking at his letter. So Rose remarked that lunch was ready. He put the letter into a drawer, and they went down.

About half-way through lunch he spoke.

"Look here," he said, "you must keep out of the room when I'm writing."

"You're always writing now."

Yes. He was always writing now; because he did not want to talk to Rose and it was the best way of keeping her out of the room. But as yet he did not know that was why, any more than he knew that he had come to live in London because he wanted to talk to Jinny. The letter in his drawer up-stairs was from Jinny, asking him if she might not come and see his wife. He was not sure that he wanted her to come and see his wife. Why should she?

"You'll 'urt your brain," his wife was saying, "if you keep on writ-writin', lettin' the best of the day go by before you put your foot out of doors. It would do you all the good in the world if you was to come sometimes for a walk with me——"

It all went in at one ear and out of the other.

So all morning, all afternoon, all evening, Rose sat by herself in the room looking on the pavement. She had nothing to do in this house that didn't belong to them. When she had helped the little untidy servant to clear away the breakfast things; when she had dusted their sitting-room and bedroom; when she had gone out and completed her minute marketings, she had nothing to do. Nothing to do for herself; worse than all, nothing to do for Tanqueray. She would hunt in drawers for things of his to mend, going over his socks again and again in the hope of finding a hole in one of them. Rose, who loved taking care of people, who was born in the world and fashioned by Nature to that end, Rose had nothing to take care of. You couldn't take care of Tanqueray.

Sometimes she found herself wishing that he were ill. Not dangerously ill, but ill enough to be put to bed and taken care of. Not that Rose was really aware of this cruel hope of hers. It came to her rather as a picture of Tanqueray, lying in his sleeping-suit, adorably helpless, and she nursing him. Her heart yearned to that vision.

For she saw visions. From perpetual activities of hands and feet, from running up and down stairs, from sweeping and dusting, from the making of beds, the washing of clothes and china, she had passed to the life of sedentary contemplation. She was always thinking. Sometimes she thought of nothing but Tanqueray. Sometimes she thought of Aunt and Uncle, of Minnie and the seven little dogs. She could see them of a Sunday evening, sitting in the basement parlour, Aunt in her black cashmere with the gimp trimmings, Uncle in his tight broadcloth with his pipe in his mouth, and Mrs. Smoker sleeping with her nose on the fender. Mr. Robinson would come in sometimes, dressed as Mr. Robinson could dress, and sit down at the little piano and sing in his beautiful voice, "'Ark, 'Ark, my Soul," and "The Church's one Foundation," while Joey howled at all his top notes, and the smoke came curling out of Uncle's pipe, and Rose sat very still dreaming of Mr. Tanqueray. (She could never hear "Hark, Hark, my Soul," now, without thinking of Tanqueray.)