He came away from that dinner, that embarrassing, palpitating encounter, with a slender sheaf of verses in his pocket. It did not take him long to read them, nor to see (the unforeseen again!) that the verses would live longer than their maker. They were beardless, breathless, and hectic like the boy, but nobody could have been keener than Rickman to recognize the immortal adolescence, the swift panting of the pursuing god, the burning of the inextinguishable flame. He wrote a letter to him, several letters, out of the fulness of his heart. Then Maddox, to whom he had not spoken since the day of their falling out, came up to him at the Junior Journalists, shook his hand as if nothing had happened, and thanked him for his appreciation of young Paterson. He said that it had put new life into the boy. They made it up over young Paterson. And that was another step towards the inevitable conclusion.
The next step was that somebody who was paying for the boy's doctor's bills paid also for the publication of his poems. They arrived (this of course was only to be expected) at the office of Metropolis (the slender sheaf grown slenderer by some omissions which Rickman had advised). But it was Fate that contrived that they should arrive in the same week with a volume (by no means slender), a volume of Poems issued by the publishers of Metropolis and written by a friend (and an influential friend) of the editor. Therein were the last sweet pipings of the pastoral Fulcher. No other hand but Jewdwine's, as Jewdwine sorrowfully owned, could have done anything for this work, and he meant to have devoted a flattering article to it in the next number. But in the arrangements of the unforeseen it was further provided that Jewdwine should be disabled, at what he playfully called the "critical moment," by an attack of influenza. The two volumes, the slender and the stout, were forwarded to Rickman in the same parcel, and Jewdwine in a note discreetly worded threw himself and the poems of his influential friend on Rickman's mercy. Would Rickman deal with the big book? He would see for himself that it was a big book. He gave him as usual a perfectly free hand as to space, but he thought it might be well to mention that the book was to have had a two-page article all to itself. He drew Rickman's attention to the fact that it was published by So and So, and hoped that he might for once at least rely on his discretion. Perhaps as he was reviewing the work of a "brother bard" it would be better to keep the article anonymous.
There was nothing coarse about Jewdwine's methods. Through all his career he remained refined and fastidious, and his natural instincts forbade him to give a stronger hint. Unfortunately, in this instance, refinement had led him into a certain ambiguity of phrase!
On this ambiguity Rickman leapt, with a grin of diabolical delight. He may have had some dim idea that it would be his shelter in the day of rebuke; but all he could clearly think of as he held the boy's frail palpitating volume in his hand, was that he had but that moment in which to praise him. This was his unique and perfect opportunity, the only sort of opportunity that he was not likely to let slip.
Quem Deus vult perdere prius dementat; and it really looked as if madness had come upon Rickman in the loneliness and intoxication of his power. With those two volumes of poetry before him, a small one by a rank outsider, unknown, unkempt and unprotected; a boy from whom no more was to be expected, seeing that he was about to depart out of the world where editors are powerful; and one, a large, considerable volume by a person eminent already in that world and with many years of poetry and influence before him, he gave (reckless of all proportion) the two-page article to the slender volume and the paragraph to the stout. That was what he did—he, the sub-editor.
Of the paragraph the less said the better. As for the article it was such a song of jubilation as one poet sings over the genius of another; and nothing that he had ever done for Metropolis delighted him so much as the making of it. He sent the proofs to Jewdwine as usual with a note. "Here they are. I think I've been discreet. I've done what I could for Mr. Fulcher, but, as you'll see, I've dealt nobly with young Paterson, as he deserves." As he heard nothing from Jewdwine, he could only suppose that the chief was satisfied, and he could not help reflecting with some complacency that no doubt old Maddox would be satisfied too.
The next thing that happened was that he was cut by Maddox at the Junior Journalists. (It was on a Saturday, and Metropolis, the number, had appeared the night before). Cut unmistakably, with a thrust from the blue eyes and an expressive turning of the enormous shoulders. A number once issued from his hands Rickman never looked at it again if he could help it, and he never troubled to look at it now. He simply regarded Maddox's behaviour as unaccountable. In the hope of lighting on some explanation he called at Tavistock Place one Sunday afternoon, at a time when he was pretty sure of finding Miss Roots alone. He wanted to know, he said, what was the matter with Maddy. Apparently Miss Roots had something the matter with her too, for her only answer was to hand him stiffly a copy of Metropolis with the pages scored in blue pencil at his own article. He took it with a radiant and confiding smile, a smile that assumed such a thoroughly delightful understanding between him and Miss Roots that the little lady, who had evidently counted on a very different effect, was put to some intellectual confusion. She noticed that as he read the smile vanished and gave place, first to an expression of absolute bewilderment, and then to a furious flush, whether of shame or indignation she could not tell, but it looked (again to her confusion) uncommonly like both.
"I see," he said quietly, and laid the paper aside.
What he had seen was that, save for a few ingenious transpositions, the two reviews stood very much as he had written them. The only striking alteration was that Mr. Fulcher had got the article and young Paterson the paragraph.
"Oh, you see, do you?" said Miss Roots bitterly. "That's more than I do."