You may well wonder how Grevill Burton got mixed up with them, how he ever could have known Charles Wrackham.
Well, he did know him, pretty intimately, too, but it was through Antigone, and because of Antigone, and for Antigone's adorable sake. We never called her anything but Antigone, though Angelette was the name that Wrackham, with that peculiar shortsightedness of his, had given to the splendid creature.
Why Antigone? You'll see why.
No, I don't mean that Wrackham murdered his father and married his mother; but he wouldn't have stuck at either if it could have helped him to his literary ambition. And every time he sat down to write a book he must have been disgusting to the immortal gods. And Antigone protected him.
She was the only living child he'd had, or, as Burton once savagely said, was ever likely to have. And I can tell you that if poor Wrackham's other works had been one half as fine as Antigone it would have been glory enough for Burton to have edited him. For he did edit him.
They met first, if you'll believe it, at Ford Lankester's funeral. I'd gone to Chenies early with young Furnival, who was "doing" the funeral for his paper, and with Burton, who knew the Lankesters, as I did, slightly. I'd had a horrible misgiving that I should see Wrackham there; and there he was, in the intense mourning of that black cloak and slouch hat he used to wear. The cloak was a fine thing as far as it went, and with a few more inches he really might have carried it off; but those few more inches were just what had been denied him. Still, you couldn't miss him or mistake him. He was exactly like his portraits in the papers; you know the haggard, bilious face that would have been handsome if he'd given it a chance; the dark, straggling, and struggling beard, the tempestuous, disheveled look he had, and the immortal Attitude. He was standing in it under a yew tree looking down into Lankester's grave. It was a small white chamber about two feet square—enough for his ashes. The earth at the top of it was edged with branches of pine and laurel.
Furnival said afterward you could see what poor Wrackham was thinking of. He would have pine branches. Pine would be appropriate for the stormy Child of Nature that he was. And laurel—there would have to be lots of laurel. He was at the height of his great vogue, the brief popular fury for him that was absurd then and seems still more absurd to-day, now that we can measure him. He takes no room, no room at all, even in the popular imagination; less room than Lankester's ashes took—or his own, for that matter.
Yes, I know it's sad in all conscience. But Furnival seemed to think it funny then, for he called my attention to him. I mustn't miss him, he said.
Perhaps I might have thought it funny too if it hadn't been for Antigone. I was not prepared for Antigone. I hadn't realized her. She was there beside her father, not looking into the grave, but looking at him as if she knew what he was thinking and found it, as we find it now, pathetic. But unbearably pathetic.
Somehow there seemed nothing incongruous in her being there. No, I can't tell you what she was like to look at, except that she was like a great sacred, sacrificial figure; she might have come there to pray, or to offer something, or to pour out a libation. She was tall and grave, and gave the effect of something white and golden. In her [black] gown and against the yew trees she literally shone.