So this was Frida Tancred? And he had thought of her as the Colonel's daughter, a poor creature, subdued to the tyranny of habit. Habit indeed! She had never known even that comparative calm. It was not habit that had bound her to that dreadful old man, who was the father of her body, but with whom her soul recognized no kinship. Her life must have been an agony of self-renunciation, an eternal effort not to be.
He doubted her wisdom; but he was not sure that he did not admire her courage. That uncompromising attitude was more dignified than the hesitations of weaker natures. When women set out with the bold intention of living resolutely in the Whole, the Good, and the Beautiful, they sometimes find themselves brought up sharply midway at the threshold of the Good; and there they stand vacillating all the time, or at the most content themselves now and then with a terrified rush for the Beautiful and the Whole. They are fascinated by all three and faithful to none. Frida Tancred scorned their fatuous procedure. Balked of the best, she would never console herself with half-measures and the second best; as for all lesser values, there was something in her which would always mark her from Mrs. Fazakerly and her kind. With Frida it was either the whole or nothing; either four bare walls or the open road where there is no returning.
She would go no way where the Colonel could not follow.
Durant, on his way to bed that night, saw something that told him so much. Father and daughter stood with their backs to him at the end of the long corridor. The Colonel was putting out the lights. Frida had just nodded good night to him at her bedroom door, when she turned impetuously and flung her arms round the little gentleman. She pressed his head against her neck and held it there an instant, a passion of remorse and tenderness in the belated caress. The Colonel was, as it were, taken off his feet; he was visibly embarrassed. Durant saw his eyes staring over her shoulder, in their profound stupidity helpless and uncomprehending.
VIII
It was Sunday afternoon, and they had been taking tea with Mrs. Fazakerly. This was the second time that Durant had had the opportunity of studying Mrs. Fazakerly at home, of filling in the little figure on its own appropriate background. The first thing that struck him was that the background was not appropriate, or rather that it was inadequate. Mrs. Fazakerly's drawing-room had an air of uneasy elegance, of appearances painfully supported on the thin edge of two hundred a year. It was furnished with a too conspicuous care; the most insignificant details were arranged so as to lead up to and set off her good things, which were few and far between. There was no rest in it for the eye that was perpetually seized and riveted on some bit of old silver, or Oriental drapery, some Chippendale cabinet or chair. Such things were the commonplaces of Coton Manor, and there they fell unobtrusively into their place. Here they were touched up and handled, posed out of all simplicity; they bore themselves accordingly with a shining consciousness of their own rarity; they made an unblushing bid for praise. In Mrs. Fazakerly's drawing-room the note of taste was forced.
The invitation had come as a sort of farewell attention to Durant. Its valedictory character was further emphasized by Mrs. Fazakerly's proposing to walk home with them, and finally falling into the rear with Durant.
As a turn in the drive brought them within sight of Coton Manor, Mrs. Fazakerly balanced her pince-nez on the bridge of her nose. It remained there, and he judged that Mrs. Fazakerly was in no mood for mirth.
"That house," said Mrs. Fazakerly, "annoys me."
"Why?"