The Romantic

by May Sinclair

"He's got a nerve," said John, "to be able to do it."

"What excuse do you think he'll make?"

"Oh, he'll say we sent him."

The straight dyke of the road went on and on. Seen from the sunk German lines the heavy ambulance car would look like a house on wheels running along a wall. She thought again of John on his exposed seat. If only he had let her drive—But that was absurd. Of course he wouldn't let her. If you were to keep on thinking of the things that might happen to John—Meanwhile nothing could take from them the delight of this dangerous run across the open. She had to remind herself that the adventure, the romance of it was not what mattered most; it was not the real thing, the thing they had gone out for.

When they came to the wounded, when they came to the wounded, then it would begin.

The hamlet began to show now; it sat on one side of the road, low and alone in the flat land, an open field in front of it, and at the bottom of the field the river and a line of willows, and behind the willows the Germans, hidden. White smoke curled among the branches. You could see it was an outpost, one of the points at which the Germans, if they broke through, would come into the village. They supposed that the house where the wounded men were would be the last of the short row.

Here on their right there were no houses, only the long, high flank of a barn. The parts that had been built out into the field were shelled away, but the outer wall by the roadside still held. It was all that stood between them and the German guns. They drew up the car under its shelter and got down.

They could see all the houses of the hamlet at once on their left; whitewashed walls; slender grey doors and shutters. The three that looked out on to the barn were untouched. A few yards ahead a small, empty wine-shop faced the open field; its doorstep and the path in front of its windows glittered with glass dust, with spikes and splinters, and heaped shale of glass that slid and cracked under your feet. Beyond it, a house with its door and all its windows and the front slope of its roof blown in. A broken shutter sagged from the wall. Then the shell of the last house; it pricked up one plastered gable, white and hard against the blue.

They found the men in the last house but one, the house with the broken shutter. They went, carrying their stretchers and the haversack of dressings, under the slanted lintel into the room. The air in there was hot and stifling and thickened with a grey powdery swarm. Their feet sank through a layer of pinkish, greyish dust.

The three wounded men lay stretched out on this floor, among brickbats and broken panes and slabs of dropped plaster. A thin grey powder had settled on them all. And by the side of each man the dust was stiffened into a red cake with a glairy pool in the middle of it, fed from the raw wound; and where two men lay together their pools had joined and overflowed in a thin red stream.