“Ormeston Hall, 4 a.m., Après le bal.”
The date, thus oddly indicated, seems to tell of the writer being in better spirits than might have been expected just at that time; possibly from a still lingering belief that all is not yet hopeless with him. Something of the same runs through the tone of his letter, if not its contents, which are—
“Dear Gwen,—I’ve got home, but can’t turn in without writing you a word, to say that, however sad I feel at what you’ve told me—and sad I am, God knows—if you think I shouldn’t come near you any more—and from what I noticed last night, perhaps I ought not—only say so, and I will not. Your slightest word will be a command to one who, though no longer hoping to have your hand, will still hope and pray for your happiness. That one is,—
“Yours devotedly, if despairingly,—
“George Shenstone.
“P.S.—Do not take the trouble of writing an answer. I would rather get it from your lips; and that you may have the opportunity of so giving it, I will call at the Court in the afternoon. Then you can say whether it is to be my last visit there.—G.S.”
The writer, present and listening, bravely bears himself. It is a terrible infliction, nevertheless, having his love secret thus revealed, his heart, as it were, laid open before all the world. But he is too sad to feel it now; and makes no remark, save a word or two explanatory, in answer to questions from the Coroner.
Nor are any comments made upon the letter itself. All are too anxious as to the contents of that other, bearing the signature of the man who is to most of them a stranger.
It carries the address of the hotel in which he has been all summer sojourning, and its date is only an hour or two later than that of Shenstone’s. No doubt, at the self-same moment the two men were pondering upon the words they intended writing to Gwendoline Wynn—she who now can never read them.
Very different in spirit are their epistles, unlike as the men themselves. But, so too, are the circumstances that dictated them, that of Ryecroft reads thus:—