Odd people

by Mayne Reid

The Feegeeans are above the average height of Europeans or white men: men of six feet are common among them, though few reach the height of six feet six. Corpulent persons are not common, though large and muscular men abound. Their figure corresponds more nearly to that of the white man than any other race known. The proportions of their limbs resemble those of northern Europeans, though some are narrower across the loins. Their chests are broad and sinewy, and their stout limbs and short, well-set necks are conspicuous characters. The outline of the face is a good oval; the mouth large, with white teeth regularly arranged—ah! those horrid teeth!—the nose is well-shaped, with full nostrils; yet quite distinct, as are the lips also, from the type of the African negro. Indeed, with the exception of their colour, they bear very little resemblance to the negro,—that is, the thick-lipped, flat-nosed negro of our fancy; for there are negro tribes in Africa whose features are as fine as those of the Feegeeans, or even as our own. In colour of skin the Feegeean is nearly, if not quite, as dark as the negro; but it may be remarked that there are different shades, as there are also among pure Ethiopians. In the Feegee group there are many men of mulatto colour, but these are not of the original Feegee stock. They are either a mixed offspring with the Tonga islander, or pure-bred Tonga islanders themselves who for the past two hundred years have been insinuating themselves into the social compact of the Feegeeans. These light-coloured people are mostly found on the eastern or windward side of the Feegee group,—that is, the side towards Tonga itself,—and the trade-winds will account for their immigration, which was at first purely accidental. They at present play a conspicuous part in the affairs of the Feegeeans, being in favour with the kings and great chiefs, partly on account of their being better sailors than the native Feegeeans, and partly on account of other services which these tyrants require them to perform. In some arts the Tongans are superior to the Feegeeans, but not in all. In pottery, wood-carving, making of mats or baskets, and the manufacture of the tapa cloth, the Feegeeans stand unrivalled over all the Pacific Ocean.

We need say no more of the Tongans here; they are elsewhere described. Those dwelling in Feegee are not all fixed there for life. Some are so, and these are called Tonga-Feegeeans; the others are only visitors, giving their services temporarily to the Feegeean chiefs, or occupied in ship-building,—in constructing those great war canoes that have been the astonishment of South-Sea voyagers, and which Feegee sends forth from her dockyards in the greatest perfection. These, when finished by the Tongan strangers, are used to carry them back to their own islands, that lie about three hundred miles to the windward (southeast).

But to continue the portrait of the Feegeean. We have touched almost every part of it except the hair; but this requires a most elaborate limning, such as the owner himself gives it. In its natural state the head of the Feegeean is covered by a mass of black hair, long, frizzled, and bushy, sometimes encroaching on the forehead, and joined by whiskers to a thick, round, or pointed beard, to which moustaches are often added. Black is, of course, the natural colour of the hair, but it is not always worn of this hue. Other colours are thought more becoming; and the hair, both of the men and women, is dyed in a variety of ways, lime burning it to a reddish or whitey-brown shade. A turmeric-yellow, or even a vermilion-red are not uncommon colours; but all these keep varying, according to the change of fashions at court!

Commodore Wilkes, who has given a good deal of his time to an exploration of the Feegee Islands, states that the Feegee hair, in its natural condition, is straight, and not “frizzled,” as described above—he says that the frizzling is the work of the barber; but the Commodore is altogether mistaken in this idea. Thousands of Feegeeans, whose hair was never touched by a barber, nor dressed even by themselves, exhibit this peculiarity. We regret to add that this is only one of a thousand erroneous statements which the Commodore has made during his gigantic exploration. He may have been excellent at his own speciality of making soundings and laying down charts; but on all matters pertaining to natural history or ethnology, the worthy Commodore appears to have been purblind, and, indeed, his extensive staff of naturalists of every kind have produced far less than might have been expected from such excellent opportunities as they enjoyed. The observation of the Commodore will not stand the test of time, and cannot be depended upon as safe guides, excepting in those cases where he was an actual eye-witness. About his truthful intentions there can be no doubt whatever.

Of one very peculiar performance among the Feegees he appears to have had actual demonstration, and as he has described this with sufficient minuteness, we shall copy his account; though, after what we have said, we should apologise largely for the liberty. The performance referred to is that of “barberising” a barbarian monarch, and may be taken as a proof of high civilisation among the Feegees. It will be seen that, with the exception of the tabooed fingers, there is not much difference between a barber of Bond Street and an artist of like calling in the Cannibal Islands.

“The chiefs in particular,” writes Commodore Wilkes, “pay great attention to the dressing of their heads, and for this purpose all of them have barbers, whose sole occupation is the care of their masters’ heads. These barbers are called a-vu-ni-ulu. They are attached to the household of the chiefs in numbers of from two to a dozen. The duty is held to be of so sacred a nature, that their hands are tabooed from all other employment, and they are not even permitted to feed themselves. To dress the head of a chief requires several hours. The hair is made to spread out from the head, on every side, to a distance that is often eight inches. The beard, which is also carefully nursed, often reaches the breast, and when a Feegeean has these important parts of his person well dressed, he exhibits a degree of conceit that is not a little amusing.

“In the process of dressing the hair it is well anointed with oil, mixed with a carbonaceous black, until it is completely saturated. The barber then takes the hairpin, which is a long and slender rod, made of tortoise-shell or bone, and proceeds to twitch almost every separate hair. This causes it to frizzle and stand erect. The bush of hair is then trimmed smooth by singeing it, until it has the appearance of an immense wig. When this has been finished, a piece of tapa, so fine as to resemble tissue-paper, is wound in light folds around it, to protect the hair from the dew or dust. This covering, which has the look of a turban, is called sala, and none but the chiefs are allowed to wear it; any attempt to assume this head-dress by a kai-si, or common person, would be immediately punished with death. The sala, when taken proper care of, will last three weeks or a month, and the hair is not dressed except when it is removed; but the high chiefs and dandies seldom allow a day to pass without changing the sala and having the hair put in order.”

With this account, we conclude our description of the Feegeean’s person. His costume is of the simplest kind, and easily described. With the men it is merely a strip of “tapa” or “malo” cloth passed several times round the waist, and the ends left to hang down in front. The length of the hanging ends determines the rank of the wearer, and only in the case of kings or great chiefs are they allowed to touch the ground. A turban of the finest tapa cloth among the great mop of hair is another badge of rank, worn only by kings and chiefs; and this head-dress, which adds greatly to the dignified appearance of the wearer, is not always coiffed in the same fashion, but each chief adapts it to his own or the prevailing taste of the court. The dress of the women is a mere waist-belt, with a fringe from six to ten inches in length. It is worn longer after they have become wives, sometimes reaching near the knee, and forming a very picturesque garment. It is called the “liku,” and many of them are manufactured with surprising skill and neatness, the material being obtained from various climbing plants of the forest. Under the “liku” the women are tattooed, and there only. Their men, on the contrary, do not undergo the tattoo; but on grand occasions paint their faces and bodies in the most fanciful colours and patterns.

The kings and some chiefs suspend from their necks shell ornaments—often as large as a dining-plate—that down upon the breast. Some, instead of this, wear a necklace of whales’ teeth, carved to resemble claws, and bearing a very close resemblance to the necklaces of the Prairie Indians, made of the claws of the grizzly bear. Another kind of necklace—perhaps more appropriate to the Feegee—is a string of human teeth; and this kind is not unfrequently worn by these ferocious dandies.

It must not be supposed that the scantiness of the Feegeean costume arises from poverty or stinginess on the part of the wearer. Nothing of the kind. It is simply because such is the fashion of the time. Were it otherwise, he could easily supply the materials, but he does not wish it otherwise. His climate is an eternal summer, and he has no need to encumber his body with extraneous clothing. With the exception of the turban upon his head, his king is as naked as himself.