Yellow Jake was wicked without provocation. Cruelty was innate in his disposition—no doubt inherited. He was a Spanish mulatto; that is, paternally of Spanish blood—maternally, negro. His father had sold him to mine!
A slave-mother, a slave-son. The father’s freedom affects not the offspring. Among the black and red races of America, the child fellows the fortunes of the mother. Only she of Caucasian race can be the mother of white men.
There was another “Jacob” upon the plantation—hence the distinctive sobriquet of “Yellow Jake.” This other was “Black Jake;” and only in age and size was there any similarity between the two. In disposition they differed even more than in complexion. If Yellow Jake had the brighter skin, Black Jake had the lighter heart. Their countenances exhibited a complete contrast—the contrast between a sullen frown and a cheerful smile. The white teeth of the latter were ever set in smiles: the former smiled only when under the influence of some malicious prompting.
Black Jake was a Virginian. He was one of those belonging to the old plantation—had “moved” along with his master; and felt those ties of attachment which in many cases exist strongly between master and slave. He regarded himself as one of our family, and gloried in bearing our name. Like all negroes born in the “Old Dominion,” he was proud of his nativity. In caste, a “Vaginny nigger” takes precedence of all others.
Apart from his complexion, Black Jake was not ill-looking. His features were as good as those of the mulatto. He had neither the thick lips, flat nose, nor retreating forehead of his race—for these characteristics are not universal. I have known negroes of pure African blood with features perfectly regular, and such a one was Black Jake. In form, he might have passed for the Ethiopian Apollo.
There was one who thought him handsome—handsomer than his yellow namesake. This was the quadroon Viola, the belle of the plantation. For Viola’s hand, the two Jakes had long time been rival suitors. Both had assiduously courted her smiles—somewhat capricious they were, for Viola was not without coquetry—but she had at length exhibited a marked preference for the black. I need not add that there was jealousy between the negro and mulatto—on the part of the latter, rank hatred of his rival—which Viola’s preference had kindled into fierce resentment.
More than once had the two measured their strength, and on each occasion had the black been victorious. Perhaps to this cause, more than to his personal appearance, was he indebted for the smiles of Viola. Throughout all the world, throughout all time, beauty has bowed down before courage and strength.
Yellow Jake was our woodman; Black Jake, the curator of the horses, the driver of “white massa’s” barouche.
The story of the two Jakes—their loves and their jealousies—is but a common affair in the petite politique of plantation-life. I have singled it out, not from any separate interest it may possess, but as leading to a series of events that exercised an important influence on my own subsequent history.
The first of these events was as follows; Yellow Jake, burning with jealousy at the success of his rival, had grown spiteful with Viola. Meeting her by some chance in the woods, and far from the house, he had offered her a dire insult. Resentment had rendered him reckless. The opportune arrival of my sister had prevented him from using violence, but the intent could not be overlooked; and chiefly through my sister’s influence, the mulatto was brought to punishment.