Twilight is the hour he is waiting for, or rather some twenty minutes preceding it. For, to a minute he knows how long it will take him to reach the edge of the swamp, at a certain point to which he contemplates proceeding. It is the place of deposit for the stores he receives from the coon-hunter.

On this particular evening he expects something besides provender, and is more than usually anxious about it. Mental, not bodily food, is what he is craving. He hopes to get tidings of her, whose image is engraven upon his heart—his yellow girl, Jule. For under his coarse cotton shirt, and saddle-coloured skin, Jupe’s breast burns with a love pure and passionate, as it could, be were the skin white, and the shirt finest linen.

He knows of all that is taking place in the plantations; is aware of what has been done by Ephraim Darke in the matter of the mortgage, and what is about to be done by Colonel Armstrong. The coon-hunter has kept him posted up in everything—facts and fancies, rumours and realities.

One of the last, and latest, is the intention of the Armstrongs to remove from the neighbourhood. He has already heard of this, as also their destination. It might not so much concern him, but for the implied supposition that his sweetheart will be going along with them. In fact, he feels sure of it; an assurance that, so far from causing regret, rather gives him gladness. It promises a happier future for all. Jupe, too, has had thoughts about Texas. Not that the Lone Star State is at all a safe asylum for such as he; but upon its wild borderland there may be a chance for him to escape the bondage of civilisation, by alliance with the savage! Even this idea of a freedom far off, difficult of realisation, and if realised not so delectable, has nevertheless been flitting before the mind of the mulatto. Any life but that of a slave! His purpose, modified by late events and occurrences, is likely to be altogether changed by them. His Jule will be going to Texas, along with her master and young mistresses. In the hope of rejoining her, he will go there too—as soon as he can escape to the swamp.

On this evening he expects later news, with a more particular account of what is about to be done. Blue Bill is to bring them, and direct from Jule, whom the coon-hunter has promised to see. Moreover, Jupe has a hope of being able to see her himself, previous to departure; and to arrange an interview, through the intervention of his friend, is the matter now most on his mind. No wonder, then, his scanning the sky, or its faint reflection, with glances that speak impatience.

At length, becoming satisfied it must be near night, he starts off from the eyot, and makes way along the causeway furnished by the trunks of the fallen trees. This serves him only for some two hundred yards, ending on the edge of deep water, beyond which the logs lie submerged. The last of them showing above, is the wreck of a grand forest giant, with branches undecayed, and still carrying the parasite of Spanish moss in profusion. This hanging down in streamers, scatters over the surface and dips underneath, like the tails of white horses wading knee-deep. In its midst appears something, which would escape the eye of one passing carelessly by. On close scrutiny it is seen to be a craft of rude construction—a log with the heart wood removed—in short, a canoe of the kind called “dug-out.”

No surprise to the runaway slave seeing it there; no more at its seeming to have been placed in concealment. It is his own property, by himself secreted.

Gliding down through the moss-bedecked branches, he steps into it; and, after balancing himself aboard, dips his paddle into the water, and sets the dug-out adrift.

A way for a while through thick standing trunks that require many tortuous turnings to avoid them.

At length a creek is reached, a bayou with scarce any current; along which the canoe-man continues his course, propelling the craft up-stream. He has made way for something more than a mile, when a noise reaches his ear, causing him to suspend stroke, with a suddenness that shows alarm.