He derives little benefit from the change; for the coyotes, but jackals in daylight, at night become wolves, emboldened by the darkness. Besides, they have been too long gazing at the strange thing, and listening to the shouts which have proceeded from it, without receiving hurt or harm, to fear it as before. The time has come for attack.

Blending their unearthly notes into one grand chorus they close around, finally resolved to assault it.

And, again, Clancy calls upon God—upon Heaven, to help him.

His prayer is heard; for what he sees seems an answer to it. The moon is low down, her disc directly before his face, and upon the plain between a shadow is projected, reaching to his chin. At the same time, he sees what is making it—a man upon horseback! Simultaneously, he hears a sound—the trampling of hoofs upon the hard turf.

The coyotes catching it, too, are scared, changing from their attitude of attack, and dropping tails to the ground. As the shadow darkening over them tells that the horseman is drawing nigh, they scatter off in retreat.

Clancy utters an ejaculation of joy. He is about to hail the approaching Norseman, when a doubt restrains him.

“Who can it be?” he asks himself with mingled hope and apprehension. “Woodley would not be coming in that way, alone? If not some of the settlers, at least Heywood would be along with him? Besides, there is scarce time for them to have reached the Mission and returned. It cannot be either. Jupiter? Has he escaped from the custody of the outlawed crew?”

Clancy is accustomed to seeing the mulatto upon a mule. This man rides a horse, and otherwise looks not like Jupiter. It is not he. Who, then?

During all this time the horseman is drawing nearer, though slowly. When first heard, the tramp told him to be going at a gallop; but he has slackened speed, and now makes approach, apparently with caution, as if reconnoitring. He has descried the jackals, and comes to see what they are gathered about. These having retreated, Clancy can perceive that the eyes of the stranger are fixed upon his own head, and that he is evidently puzzled to make out what it is.

For a moment the man makes stop, then moves on, coming closer and closer. With the moon behind his back, his face is in shadow, and cannot be seen by Clancy. But it is not needed for his identification. The dress and figure are sufficient. Cut sharply against the sky is the figure of a plumed savage; a sham one Clancy knows, with a thrill of fresh despair, recognising Richard Darke.