It was to talk of these Santander had now presented himself; and his host suspecting it, gave the young lady a side look, as much as to say, “Leave the room, Luisita.”
She was but too glad to obey. Just then she preferred a turn upon the piazza; and into this she silently glided, leaving her father alone with the guest who had so inopportunely intruded.
It is not necessary to repeat what passed between the two men. Their business was to bring to a conclusion a compact they had already talked of, though only in general terms. It had reference to the restitution of Don Ignacio’s confiscated estates, with, of course, also the ban of exile being removed from him. The price of all this, the hand of his daughter given to Carlos Santander. It was the Creole who proposed these terms, and insisted upon them, even to the humiliation of himself. Madly in love with Luisa Valverde, he suspected that on her side there was no reciprocity of the passion. But he would have her hand if he could not her heart.
On that night the bargain was not destined to reach a conclusion, their conference being interrupted by the tread of booted feet, just ascending the front steps, and crossing the floor of the piazza. This followed by an exchange of salutations, in which the voice of Luisa Valverde was heard mingling with that of a man.
Don Ignacio looked more troubled than surprised. He knew who was there. But when the words spoken outside reached the ears of Carlos Santander, first, in openly exchanged salutations and then whispers seemingly secret and confidential, he could no longer keep his seat, but springing up, exclaimed—
“Carrai! It’s that dog of an Irlandes!”
“Hish!” continued his host. “The Señor Florencio will hear you.”
“I wish him to hear me. I repeat the expression, and plainly in his own native tongue. I call him a cur of an Irishman.”
Outside was heard a short, sharp ejaculation, as of a man startled by some sudden surprise. It was followed by an appealing speech, this in the softer accents of a woman. Then the casement was drawn abruptly open, showing two faces outside. One, that of Florence Kearney, set in an angry frown; the other, Luisa Valverde’s, pale and appealing. An appeal idle and too late, as she herself saw. The air had become charged with the electricity of deadliest anger, and between the two men a collision was inevitable.
Without waiting for a word of invitation, Kearney stepped over the casement sill, and presented himself inside the room. Don Ignacio and the Creole were by this also on their feet; and for a second or so the three formed a strange triangular tableau—the Mexican with fear on his face, that of Santander still wearing the expression of insult, as when he had exclaimed, “Cur of an Irishman!” Kearney confronting him with a look of indignant defiance.