Chapter Forty Eight.
Isidora.
The sun has just risen clear above the prairie horizon, his round disc still resting upon the sward, like a buckler of burnished gold. His rays are struggling into the chapparal, that here and there diversifies the savanna. The dew-beads yet cling upon the acacias, weighting their feathery fronds, and causing them to droop earthward, as if grieving at the departure of the night, whose cool breeze and moist atmosphere are more congenial to them than the fiery sirocco of day. Though the birds are stirring—for what bird could sleep under the shine of such glorious sunrise?—it is almost too early to expect human being abroad—elsewhere than upon the prairies of Texas. There, however, the hour of the sun’s rising is the most enjoyable of the day; and few there are who spend it upon the unconscious couch, or in the solitude of the chamber.
By the banks of the Leona, some three miles below Fort Inge, there is one who has forsaken both, to stray through the chapparal. This early wanderer is not afoot, but astride a strong, spirited horse, that seems impatient at being checked in his paces. By this description, you may suppose the rider to be a man; but, remembering that the scene is in Southern Texas still sparsely inhabited by a Spano-Mexican population—you are equally at liberty to conjecture that the equestrian is a woman. And this, too, despite the round hat upon the head—despite the serapé upon the shoulders, worn as a protection against the chill morning air—despite the style of equitation, so outré to European ideas, since the days of La Duchesse de Berri; and still further, despite the crayon-like colouring on the upper lip, displayed in the shape of a pair of silken moustaches. More especially may this last mislead; and you may fancy yourself looking upon some Spanish youth, whose dark but delicate features bespeak the hijo de algo, with a descent traceable to the times of the Cid.
If acquainted with the character of the Spano-Mexican physiognomy, this last sign of virility does not decide you as to the sex. It may be that the rider in the Texan chapparal, so distinguished, is, after all, a woman!
On closer scrutiny, this proves to be the case. It is proved by the small hand clasping the bridle-rein; by the little foot, whose tiny toes just touch the “estribo”—looking less in contrast with the huge wooden block that serves as a stirrup; by a certain softness of shape, and pleasing rotundity of outline, perceptible even through the thick serapé of Saltillo; and lastly, by the grand luxuriance of hair coiled up at the back of the head, and standing out in shining clump beyond the rim of the sombrero. After noting these points, you become convinced that you are looking upon a woman, though it may be one distinguished by certain idiosyncrasies. You are looking upon the Doña Isidora Covarubio de los Llanos.
You are struck by the strangeness of her costume—still more by the way she sits her horse. In your eyes, unaccustomed to Mexican modes, both may appear odd—unfeminine—perhaps indecorous.
The Doña Isidora has no thought—not even a suspicion—of there being anything odd in either. Why should she? She is but following the fashion of her country and her kindred. In neither respect is she peculiar.