“It is, mio amigo, myself, as you see. And I need not tell you how glad I am to meet you again. So unexpected in this queer quarter, where I little hoped to have the pleasure of entertaining an old friend. Our worthy doctor here informs us you will soon get strong again, and become more of a tax on my hospitality than you have yet been. No doubt, after your illness, you’ll have the appetite of an ostrich. Well, in one way, that will be fortunate, since we are living, as you may see, in a somewhat Homeric fashion. Carrambo! you will be deeming my manners quite as rude as the roughest of Homer’s heroes. I am forgetting to introduce you to one of whom you’ve heard me speak. Though it don’t so much signify, since the lady has made your acquaintance already. Permit me to present my dear Adela.”
It is the beautiful huntress who steps forward to be introduced, now looking more beautiful than ever.
To Hamersley all is explained by her presence. He remembers the portrait upon the wall, which accounts for his fancy of having seen her face before.
He sees it now; his wonder giving way to an intense, ardent admiration.
Soon, the young lady retiring, his curiosity comes back, and he asks his host for an explanation. How came Colonel Miranda there, and why? By what sinister combination of circumstances has the military commandant of Albuquerque made his home in the midst of a howling wilderness, for such is the Llano Estacado?
Despite the smiling oasis immediately surrounding it, it cannot have been choice. No. Chance, or rather mischance, must have led to this change in the affairs of his New Mexican acquaintance. More than an acquaintance—a friend who stood by him in the hour of danger, first courageously protecting, then nobly volunteering to act as his second in a duel; afterwards taking him on to his home and showing him hospitality, kind as was ever extended to a stranger in a strange land.
No wonder Frank Hamersley holds him dear. Dearer now, after seeing his sister in propriâ personâ—she whose portrait had so much impressed his fancy—the impression now deepened by the thought that to her he has been indebted for his life.
Naturally enough, the young Kentuckian is desirous of knowing all, and is anxious about the fortunes of his Mexican friend, that for the time seem adverse.
“No,” is Colonel Miranda’s response to his appeal. “Not now, Señor Don Francisco. Our good doctor here places an embargo on any further conversation for the present. The tale I have to tell might too much excite you. Therefore let it rest untold till you are stronger and more able to hear it rehearsed. Now, amigo, we must leave you alone, or rather, I should say, in the best of good company, for such has your worthy comrade, the Señor Wilder, proved himself to be. No doubt you’ll be anxious to have a word with one who, while your life was in danger, would have sacrificed his own to save it. Don Prospero permits him to remain with you and give such explanations as you may need. The rest of us are to retire. Hasta luega.” So saying, Miranda steps out of the room. “Keep perfectly quiet,” adds the ex-army surgeon, preparing to follow. “Don’t excite yourself by any act or thought that may cause a return of the fever. For in that lies your greatest danger. Feel confident, caballero, that you’re in the company of friends. Don Gaulterio here will be able to convince you of that. Ah! señor, you’ve a nurse who feels a great interest in seeing you restored to health.”
Pronouncing these last words in undertone and with an accent of innuendo, accompanied by a smile which the invalid pleasantly interprets, Don Prospero also retires, leaving his patient alone with his old caravan guide.