Before my mind’s eye hung masses of glossy black hair, waving along the brows and falling over the shoulders in curling clusters. Within this ebon framework were features to mock the sculptor’s chisel. The mouth, with its delicate rose-coloured ellipse; the nose, with smooth straight outline, and small recurvant nostril; the arching brows of jet; the long fringes upon the eyelids; all were vividly before me, and all unlike the features of Eugénie Besançon. The colour of the skin, too—even that was different. It was not that Circassian white that characterised the complexion of the Creole, but a colour equally clear, though tinged with a blending of brown and olive, which gave to the red upon the cheeks a tint of crimson. The eye I fancied, or remembered well—better than aught else. It was large, rounded, and of dark-brown colour; but its peculiarity consisted in a certain expression, strange but lovely. Its brilliance was extreme, but it neither flashed nor sparkled. It was more like a gorgeous gem viewed by the spectator while at rest. Its light did not blaze—it seemed rather to burn.
Despite some pain which I felt, I lay for many minutes pondering over this lovely portrait, and wondering whether it was a memory or a dream. A singular reflection crossed my mind. I could not help thinking, that if such a face were real, I could forget Mademoiselle Besançon, despite the romantic incident that had attended our introduction!
The pain of my arm at length dissipated the beautiful vision, and recalled me to my present situation. On throwing back the counterpane, I observed with surprise that the wound had been dressed, and evidently by a surgeon! Satisfied on this head, I cast my eye abroad to make a reconnoissance of my quarters.
The room I occupied was small, but notwithstanding the obstruction of the mosquito bar, I could see that it was furnished with taste and elegance. The furniture was light—mostly cane-work—and the floor was covered with a matting of sea-grass finely woven, and stained into various colours. The windows were garnished with curtains of silk damask and muslin, corresponding to the colour of the wood-work. A table richly inlaid was near the centre of the floor, another, with portefeuille, pens, and ornamental ink stand, stood by the wall, and over this last was a collection of books ranged upon shelves of red cedar-wood. A handsome clock adorned the mantelpiece; and in the open fireplace was a pair of small “andirons,” with silver knobs, cast after a fanciful device, and richly chased. Of course, there was no fire at that season of the year. Even the heat caused by the mosquito bar would have been annoying, but that the large glass-door on one side, and the window on the other, both standing open, gave passage to the breeze that penetrated through the nettings of my couch.
Along with this breeze came the most delicious fragrance—the essence of flowers. Through both door and window I could see their thousand clustering corollas—roses, red, pink, and white—the rare camelia—azaleas, and jessamines—the sweet-scented China-tree—and farther off a little I could distinguish the waxen leaves and huge lily-like blossoms of the great American laurel—the Magnolia grandiflora. I could hear the voices of many singing-birds, and a low monotonous hum that I supposed to be the noise of falling water. These were the only sounds that reached my ears.
Was I alone? I looked inquiringly around the chamber. It appeared so—no living thing met my glance.
I was struck with a peculiarity in the apartment I occupied. It appeared to stand by itself, and did not communicate with any other! The only door I could see, opened directly to the outside. So did the window, reaching door-like to the ground. Both appeared to lead into a garden filled with shrubs and flowers. Excepting the chimney, I could perceive no other inlet or outlet to the apartment!
This at first seemed odd; but a moment’s reflection explained it. It is not uncommon upon American plantations to have a kind of office or summer-house apart from the main building, and often fitted up in a style of comfort and luxuriance. This becomes upon occasions the “stranger’s room.” Perhaps I was in such an apartment.
At all events, I was under an hospitable roof, and in good hands; that was evident. The manner in which I was encouched, along with certain preparations,—the signs of a projected dejeuner that appeared upon the table, attested this. But who was my host? or was it a hostess? Was it Eugénie Besançon? Did she not say something of her house—“ma maison?” or did I only dream it?
I lay guessing and reflecting over a mass of confused memories; but I could not from these arrive at any knowledge of whose guest I was. Nevertheless, I had a sort of belief that I was in the house of my last night’s companion.