“Daat are a fact, mass’r, daat same—she be a gal ob colour—nebber mind—she white as young missa herseff. Missa larf and say so many, many time, but fr’all daat dar am great difference—one rich lady—t’other poor slave—jes like Ole Zip—ay, jes like Ole Zip—buy ’em, sell ’em, all de same.”
“Could you describe Aurore, Scipio?”
It was not idle curiosity that prompted me to put this question. A stronger motive impelled me. The dream-face still haunted me—those features of strange type—its strangely-beautiful expression, not Caucasian, not Indian, not Asiatic. Was it possible—probable—
“Could you describe her, Scipio?” I repeated.
“’Scribe her, mass’r; daat what you mean? ye—yes.”
I had no hope of a very lucid painting, but perhaps a few “points” would serve to identify the likeness of my vision. In my mind the portrait was as plainly drawn as if the real face were before my eyes. I should easily tell if Aurore and my dream were one. I began to think it was no dream, but a reality.
“Well, mass’r, some folks says she am proud, case de common niggers envy ob her—daat’s de troof. She nebber proud to Ole Zip, daat I knows—she talk to ’im, an tell ’im many tings—she help teach Ole Zip read, and de ole Chloe, and de leettle Chloe, an she—”
“It is a description of her person I ask for, Scipio.”
“Oh! a ’scription ob her person—ye—daat is, what am she like?”
“So. What sort of hair, for instance? What colour is it?”