Once more my eyes were tracing the figures upon the curtains: the knights and dames, the hounds, hawks, and horses. But my brain had become clearer, and music was flowing into it. I lay silent, and listened.
The voice was a female’s. It was soft and finely modulated. Someone played upon a stringed instrument. I recognised the tones of the Spanish harp, but the song was French, a song of Normandy; and the words were in the language of that romantic land. I wondered at this, for my consciousness of late events was returning; and I knew that I was far from France.
The light was streaming over my couch; and, turning my face to the front, I saw that the curtains were drawn aside.
I was in a large room, oddly but elegantly furnished. Human figures were before me, seated and standing.
After looking steadily for a while, my vision became more distinct and reliable; and I saw that there were but three persons in the room, a man and two females.
I remained silent, not certain but that the scene before me was only some new phase of my dream. My eyes wandered from one of the living figures to another, without attracting the attention of any of them.
They were all in different attitudes, and occupied differently.
Nearest me was a woman of middle age, seated upon a low ottoman. The harp I had heard was before her, and she continued to play. She must have been, I thought, when young, a woman of extreme beauty. She was still beautiful in a certain sense. The noble features were there, though I could perceive that they had been scathed by more than ordinary suffering of the mind.
She was a Frenchwoman: an ethnologist could have told that at a glance. Those lines, the characteristics of her highly gifted race, were easily traceable. I thought there was a time when that face had witched many a heart with its smiles. There were no smiles on it now, but a deep yet intellectual expression of melancholy. This I perceived, too, in her voice, in her song, in every note that vibrated from the strings of the instrument.