“And is that love, Enrique?”
“It is.”
“Then must I love you; for, wherever I may be, I can see your face: how plainly before me! If I could use this pencil as you do, I am sure I could paint it, though you were not near me! What then? Do you think I love you, Enrique?”
No pen could trace my feelings at that moment. We were seated; and the sheet on which were the sketches was held jointly between us. My hand wandered over its surface, until the unresisting fingers of my companion were clasped in mine. A wilder emotion followed the electric touch: the paper fell upon the floor; and with a proud but trembling heart I drew the yielding form to mine!
Chapter Fifteen.
Light and Shade.
The house we inhabited stood in a quadrangular inclosure that sloped down to the banks of the river, the Del Norte. This inclosure was a garden or shrubbery, guarded on all sides by high, thick walls of adobe. Along the summit of these walls had been planted rows of the cactus, that threw out huge, thorny limbs, forming an impassable chevaux-de-frise. There was but one entrance to the house and garden, through a strong wicket gate, which I had noticed was always shut and barred. I had no desire to go abroad. The garden, a large one, hitherto had formed the limit of my walk; and through this I often rambled with Zoe and her mother, but oftener with Zoe alone.
There were many objects of interest about the place. It was a ruin; and the house itself bore evidences of better times. It was a large building in the Moro-Spanish style, with flat roof (azotea), and notched parapet running along the front. Here and there the little stone turrets of this parapet had fallen off, showing evidence of neglect and decay.