Don Mariano, accompanied by his attendants—to whom have been added Caspar and Zapote—follows at a short distance; and still further behind, the troopers of Don Rafael form a rearguard closing up the procession. The most profound and solemn silence is observed by all: as if all were alike absorbed by one common sorrow.
This, however, is only apparent; for there are two individuals in that procession whose hearts are not a prey to grief. On the contrary, both are at this moment in the enjoyment of the most perfect felicity which it is permitted for mortals to experience upon earth. Both are now assured of a mutual love, tried by long tortures, and scarce too dearly bought, since the past anguish has resulted in such delicious ecstasy.
At nearly equal distances from the escort of Don Mariano and the troopers forming the rearguard, these two personages appear: one borne in her litera, the other mounted upon horseback, and riding alongside. It need not be told who is the occupant of the litera, nor who the tall horseman who, bending down from his saddle, whispers so softly and gently, that no one may hear his words, save her for whom they are intended.
Absorbed with this interchange of exquisite emotions, both are still strangers to the sad event that has occurred within the hour. Don Mariano, devouring his grief in silence, has left them ignorant of the terrible misfortune. God has been merciful to him in thus fortifying his soul against sorrow at the loss of one child, by permitting him to behold the unspeakable happiness of the other, who is thus preserved to him as an angel of consolation. He well knows the strong affection of Gertrudis for her sister, and fearing in her feeble state to announce the melancholy event, lest the shock would be too much for her, he has carefully concealed the sad news, until some opportunity may arise of preparing her to receive it. A few hours of the happiness she is now enjoying may strengthen her long-tortured spirit, and enable her to bear up against this new and unexpected sorrow.
Still riding by the side of the litera, his eyes fervently glancing through the half-open curtains, his ear close to them lest he might lose a single word that falls from the lips of Gertrudis, Don Rafael devours the sweet speeches addressed to him, with the avidity of the thirsty traveller who has reached the pure and limpid fountain, so eagerly yearned for on his long and weary route.
As the moon is now low in the sky, and gleams with an uncertain light through the curtains of the litera, Don Rafael can only trace indistinctly the features of Gertrudis. This half-obscurity, however, favours the young girl, concealing at the same time her happiness and confusion, both of which are betraying themselves in full blush upon her cheeks, hitherto so wan and pale.
Impelled by the strength of her love, from time to time she casts a furtive glance upon the face of her lover. It is a glance of strange significance; its object being to discover whether upon his features the tortures of long absence have not also left their imprint.
But the passion which Don Rafael has suffered under, although as incurable as her own, has left no other trace upon his countenance than that of a profound melancholy, and at the moment, his heart filled with exquisite happiness, all traces of this melancholy have disappeared. Gertrudis only looks upon a countenance that shows not a souvenir of suffering.
Don Rafael no longer doubts the love of Gertrudis. She has given him proofs no more to be questioned. But of his? What proof has he offered in return? Gertrudis cannot yet hinder herself from doubting!