On entering the courtyard, a somewhat novel scene presented itself—a Spanish picture, with some transatlantic touches. The patio of a Mexican house is its proper front. Here you no longer look upon jail-like door and windows, but façades gaily frescoed, curtained verandahs, and glazed sashes that reach to the ground. The patio of Don Ramon’s mansion was paved with brick. A fountain, with its tank of japanned mason-work, stood in the centre; orange-trees stretched their fronds over the water: their golden globes and white wax-like flowers perfumed the atmosphere, which, cooled by the constant evaporation of the jet, felt fresh and fragrant. Around three sides of the court extended a verandah, its floor of painted tiles rising but a few inches above the level of the pavement. A row of portales supported the roof of this verandah, and the whole corridor was railed in, and curtained. The curtains were close-drawn, and except at one point—the entrance between two of the portales—the corridor was completely screened from our view, and consequently all the windows of the house, that opened into the verandah. No human face greeted our searching glances. In looking to the rear—into the great corral, or cattle-yard—we could see numerous peons in their brown leathern dresses, with naked legs and sandalled feet; vaqueros in all their grandeur of velveteens, bell-buttons, and gold or silver lace; with a number of women and young girls in coloured naguas and rebosos. A busy scene was presented in that quarter. It was the great cattle enclosure, for the estate of Don Ramon de Vargas was a hacienda de ganados, or grand grazing-farm—a title which in no way detracts from the presumed respectability of its owner, many of the noble hidalgoes of Mexico being graziers on a large scale.
On entering the patio, I only glanced back at the corral; my eyes were busy with the curtained verandah, and, failing there were carried up to the azotea, in hopes of discovering the object of my thoughts. The house, as I have elsewhere stated, was but a single story in height, and from the saddle I could almost look into the azotea. I could see that it was a sanctuary of rare plants, and the broad leaves and bright corollas of some of the taller ones appeared over the edge of the parapet. Abundance of fair flowers I could perceive, but not that one for which I was looking. No face yet showed, no voice greeted us with a welcome. The shouts of the vaqueros, the music of singing-birds caged along the corridor, and the murmur of the fountain, were the only sounds. The two former suddenly became hushed, as the hoofs of our horses rang upon the stone pavement, and the heedless water alone continued to utter its soft monotone.
Once more my eyes swept the curtain, gazing intently into the few apertures left by a careless drawing; once more they sought the azotea, and glanced along the parapet: my scrutiny still remained unrewarded.
Without exchanging a word, Wheatley and I sat silent in our saddles, awaiting the return of the portero. Already the peons, vaqueros, and wenches, had poured in through the back gateway, and stood staring with astonishment at the unexpected guests.
After a considerable pause, the tread of feet was heard upon the corridor, and presently the messenger appeared, and announced that the dueño was coming.
In a minute after, one of the curtains was drawn back, and an old gentleman made his appearance behind the railing. He was a person of large frame, and although slightly stooping with age, his step was firm, and his whole aspect bespoke a wonderful energy and resolution. His eyes were large and brilliant, shadowed by heavy brows, upon which the hair still retained its dark colour, although that of his head was white as snow. He was simply habited—in a jacket of nankeen cloth, and wide trousers of like material. He wore neither waistcoat nor cravat. A full white shirt of finest linen covered his breast, and a sash of dull blue colour was twisted around his waist. On his head was a costly hat of the “Guayaquil grass,” and in his fingers a husk cigarrito smoking at the end.
Altogether, the aspect of Don Ramon—for it was he—despite its assumed sternness, was pleasing and intelligent; and I should have relished a friendly chat with him, even upon his own account.
This, however, was out of the question. I must abide by the spirit of my orders: the farce must be played out; so, touching the flanks of my horse, I rode forward to the edge of the verandah, and placed myself vis-à-vis with the Don.
“Are you Don Ramon de Vargas?”
“Si, señor,” was the reply, in a tone of angry astonishment.