But this was not the only garden belonging to the mansion of the rich miner. Another, of oblong shape, extended from the rear of the house, enclosed by a high wall of adobes on either side. These, ending upon the bank of the stream, formed the boundary of the garden. Along the stream there was no fence, as it was here of sufficient breadth and depth to form an enclosure of itself. The garden was of large extent, including an orchard of fruit-trees at its lower part, and it was tastefully laid out in walks, flowerbeds, and arbours of different shapes and sizes. Don Ambrosio, although but a rich parvenu, might have been supposed to be a man of refined taste by any one viewing this garden—the more so, as such delightful retreats are by no means common in that country. But it was to another mind than his that these shadowy trees and fragrant arbours owed their existence. They were the “ideas” of his fair daughter, many of whose hours were spent beneath their shade.
To Don Ambrosio the sight of a great cavity in the earth, with huge quarries of quartz rock or scoria, and a rich “veta” at the back, was more agreeable than all the flowers in the world. A pile of “barras de plata” would be to his eyes more interesting than a whole country covered with black tulips and blue dahlias.
Not so his fair daughter Catalina. Her taste was both elevated and refined. The thought of wealth, the pride of riches, never entered her mind. She would willingly have surrendered all her much-talked-of inheritance to have shared the humble rancho of him she loved.
Chapter Forty Three.
It was near sunset. The yellow orb was hastening to kiss the snowy summit of the Sierra Blanca, that barred the western horizon. The white mantle, that draped the shoulders of the mountain, reflected beautiful roseate tints deepening into red and purple in the hollows of the ravines, and seeming all the more lovely from the contrast of the dark forests that covered the Sierra farther down.
It was a sunset more brilliant than common. The western sky was filled with masses of coloured clouds, in which gold and purple and cerulean blue mingled together in gorgeous magnificence; and in which the eye of the beholder could not fail to note the outlines of strange forms, and fancy them bright and glorious beings of another world. It was a picture to gladden the eye, to give joy to the heart that was sad, and make happier the happy.
It was not unobserved. Eyes were dwelling upon it—beautiful eyes; and yet there was a sadness in their look that ill accorded with the picture on which they were gazing.
But those eyes were not drawing their inspiration from the sky-painting before them. Though apparently regarding it, the thoughts which gave them expression were drawn from a far different source. The heart within was dwelling upon another object.