With a slack bridle his horse was left to refresh himself on the sward, while Carlos proceeded to the execution of a design that had been matured in his mind during his long gallop.

His first act was to make a fire. The night had grown chill enough to give excuse for one. It was kindled near the centre of the glade. Dry logs and branches were found among the underwood, and these were brought forward and heaped upon the pile, until the flames blazed up, illuming the glade to its very circumference. The huge pitahayas, gleaming in the red light, looked like columns of stone; and upon these the eyes of the cibolero were now turned.

Proceeding towards them, knife in hand, he commenced cutting through the stem of the largest, and its tall form was soon laid prostrate upon the grass. When down, he hewed both stem and branches into pieces of various length, and then dragged them up to the side of the fire. Surely he did not mean to add them to the pile! These green succulent masses would be more likely to subdue the flame than contribute to its brilliancy.

Carlos had no such intention. On the contrary, he placed the pieces several feet from the fire, arranging them in such a manner as to imitate, as nearly as possible, the form and dimensions of a human body. Two cylindrical pieces served for the thighs, and two more for the arms, and these were laid in the attitude that would naturally be adopted by a person in repose or asleep. The superior shoulder was represented by the “elbow” of the plant; and when the whole structure was covered over with the ample “manga” of the cibolero, it assumed a striking resemblance to the body of a man lying upon his side!

The head, lower limbs, and feet, were yet wanting to complete the design—for it was a design. These were soon supplied. A round clew of grass was formed; and this, placed at a small distance from the shoulders by means of a scarf and the cibolero’s hat, was made to look like the thing for which it was intended—a human head. The hat was slouched over the ball of grass so as nearly to conceal it, and seemed as if so placed to keep the dew or the musquitos from the face of the sleeper!

The lower limbs and feet only remained to be counterfeited. With these considerable pains had to be taken, since, being nearest to the fire—according to the way in which hunters habitually sleep—they would be more exposed to observation than any other part.

All these points had been already considered by the cibolero; and, therefore, without stopping for a moment he proceeded to finish his work. His leathern “botas” were pulled off, and adjusted at a slight angle to the thighs of pitahaya, and in such a way that the rim of the ample cloak came down over their tops. The huge spurs were allowed to remain on the boots, and could be seen from a distance gleaming in the blaze of the fire.

A few more touches and the counterfeit was complete.

He that had made it now stepped back to the edge of the glade, and, passing around, examined it from different points. He appeared satisfied. Indeed, no one would have taken the figure for anything but that of a sleeping traveller who had lain down without taking off his spurs.

Carlos now returned to the fire, and uttering a low signal brought the horse up to his hand. He led the animal some paces out, and tightened the bridle-rein by knotting it over the horn of the saddle. This the well-trained steed knew to be a command for him to give over browsing, and stand still in that same place until released by the hand of his master, or by a well-known signal he had been taught to obey. The lazo fastened to the bit-ring was next uncoiled. One end of the rope was carried to the prostrate figure, and placed under the edge of the manga, as though the sleeper held it in his hand!