On the northern edge of the citadel stood the Asar Mahal, then recently constructed to contain the sacred relics of the Mussulman faith which had arrived from Mecca, in itself a noble edifice, which of all the Royal buildings is alone perfect as it was left. To the right of the citadel rose the fine domes and minarets of the Jooma Mosque, where six thousand men could kneel at prayer; and thence the eye, passing over a plain partly bare, used as an encamping and exercising ground, and partly covered by mosques, private palaces, and dwellings, rested upon the huge mass and dome of the mausoleum of Sultan Mahmood; all else seeming to lie at its feet like pigmies. As the dome of St. Peter's towers above all other objects at Rome, so in Beejapoor all seemed dwarfed beside and around this huge structure, which, second only to the Pantheon in outward diameter, was then, as it is still, the glory of Dekhan architecture. Away to the north was a wide, barren plain, often the scene of heavy general actions, dotted here and there with groups of mausoleums, or single edifices, and with a crowd of more humble tombs, lining the high way to the small village of Allapore, which occupied the summit of a height behind; and thence away to the north spread the wavy lines of undulating distance, till they mingled together in the distant horizon.

As yet all was grey, for the sun had not risen; but his beams were fast filling the eastern sky, and tinging the light clouds with crimson and gold, heralding the birth of a new day, and in a few moments more the fiery globe, magnified by the earth mists, rose over the horizon. The change then was as striking as it was superb. The eastern plain seemed filled with a rosy, golden light, and the distinctness of objects was blurred by it; but nearer, every object in the city and plain assumed a new beauty; the sombre mass of the great mausoleum shone with a roseate glow, its gilded spire flashing in the sun; so also the Jooma Mosque, the delicate Mehturi Mahal, the palaces and gardens within and without the citadel, with their gilded spires and white terraces.

All that the eye had followed while they were yet dimly grey, burst on the sight as if endowed with a fresh life from the new day which had come; even the Royal flag, which had drooped against its staff on the high cavalier, was stirred by the faint breeze which rose with the sun, and fluttered out as if rejoicing in the freshness of the dewy morning, and flags waved from bastions and palaces, and Moslem and Hindoo shrines and temples; while the early Royal music playing out as the sun rose, followed by that of nobles who enjoyed the privilege of the "nóbat," came fitfully and sweetly upon the clear air even to that distance; and the rosy light of morning passing from the higher buildings to the lower, lighted up all in an effulgence which was almost dazzling in its collective splendour.

Ere the sun had risen, a numerous party which issued from the Royal palaces at Torwéh had ridden slowly up the rising ground beyond, and spread out very considerably, evidently with the purpose of beating the grassy slope for game. On the right and left flanks of the line, nearly a mile from the centre on both sides, heavy bodies of cavalry marched at a slow but steady pace onwards, regulating their movements by those of the party in the centre; sometimes halting, if they had proceeded too far; sometimes despatching parties further to the right and left, to drive the game as much as possible into the centre.

The cavalry—one division being Abyssinians, the other Dekhanis—were accompanied by their accustomed bodies of elephants in their war panoply, and green or scarlet housings; but there was no noisy clash of bells, as was usual when war elephants moved, lest it should disturb the deer, and both bodies of cavalry marched with that deep, hollow, rustling sound which proceeds from large numbers. In the distance, and before the sun rose, they appeared to be dark, heavy masses; but a nearer view would have shown the men to be handsomely, not to say gaily, clad—many wearing shirts of mail, or other defensive armour, and steel morions, round which gay scarfs were wound; while the housings of their horses were as rich and gay as their own dresses. They were by no means uniformly armed, for each man wore what arms he pleased, or in which he was most expert; but with the Abyssinians, with whom were bodies of Persians, Tartars, and other foreigners, the bow seemed to be the favourite; while with the Dekhanis the national spear showed gay fluttering pennons over the mass of their superb force, which gave a livelier effect to their detachment than to that of the other party.

In the centre was a small cavalcade consisting of not more than twenty persons, all gorgeously attired, who were in attendance upon one to whom all, it was evident, paid extreme deference. Some of these were the chief eunuchs of the State, who, for the most part, were Nubians or Abyssinians; others the chief officers of the hunting establishments, and the commanders of the bodies of cavalry, who attended to receive any orders that might be given to them; and although their splendid costumes and martial figures might well command attention, all seemed to dwindle in interest before the strikingly attractive figure on whom they were in attendance.

This was a lady, who, after the fashion of a man, as was the custom of the Dekhan, rode a milk-white Arab or Dekhan palfrey, of beautiful proportions and evidently high spirit. Its caparisons were of the richest, softest bright blue Genoa velvet, deftly quilted and padded, so that the seat of the saddle was luxuriously soft and comfortable. The whole of the saddle-cloth, housings, and broad crupper piece, as well as the neck and head pieces of the suit, were richly embroidered with heavy gold patterns, studded with seed pearls, in the style for which Beejapoor was then famous, and of which some of the embroidered carpets, throne seats, and curtains, still preserved in the Asar Mahal, frayed and faded now, are interesting examples.

On its crest between its ears stood a plume of glittering feathers, composed of bright gold tinsel, which stood in a socket of gold set with flashing diamonds, which sparkled at every toss of its beautiful wearer's proud head. The bit, a short curb, was of steel, inlaid with gold and diamonds, while the broad bridle rein, of the same velvet as the housings, was embroidered with seed pearls like the rest of the trappings. The beautiful animal in its perfect caparisons was in all respects an object of true admiration; but, compared with the rider, at once lost interest and dwindled into a secondary place.

She, for it was the Dowager Queen Chand, sat her horse with the most perfect grace and mastery of its often fiery spirit, and her costume, though simple, was suitable to her high rank. On her head she wore a light steel morion, round which a white muslin scarf of the finest texture was bound as a sort of turban, and a handkerchief of the faintest rose colour, with borders of narrow gold tinsel, was tied over the crown and below the chin, so that the face, except the eyes, was concealed. Her tunic, worn high to the throat, was of white cloth of gold of the richest texture, and her breast was crossed by a baldrick of broad gold lace, which was confined at the waist by another white muslin scarf, the gold brocaded ends of which hung down at her right side.

Thus, except the light yellow Persian boots of the softest leather, which reached high above her knees, and were embroidered in white floss silk, there was no positive colour about the Queen's figure, and yet the richness and beauty of her whole equipment were strikingly chaste and elegant.