Radha heard her brother's voice when his turn came, and listening to it, wept silently. When should she see him again?—would absence cure the madness that now possessed him?
"Weep not, child," said Anunda, throwing her arm around her, and guessing her thoughts; "it is well he goes. When he departs, thou wilt trust us the more, and be dearer unto us."
[CHAPTER LVII.]
Meanwhile the rites proceeded, and the recitations. Moro Trimmul was declaiming, with unusually excited gestures and eloquence, the impassioned passages which had been assigned to him, often interrupted by the cries of "Jey Kalee! Jey Toolja!" and the clapping of hands which proceeded from the people whenever a favourite sentiment or allusion to the glorious days of Hindu power occurred in the text. Before concluding his part, which was the last of the night's performance, he had withdrawn to the back of the temple, and beckoned to Gunga, and a brief colloquy passed between them.
There was no faltering in the purposes of either. Gunga had noticed the departure of Anunda and Radha with exultation which she could hardly conceal. She had gone to Tara after she resumed her position at the shrine, touched her feet, and thanked her for remaining. Other priestesses, too, had crowded round her, and, excited as they were, all united in determining that the last procession should be unusually remarkable.
"See," said Gunga, as she came to him, "all is ready. There is no one by the door inside; but try it, and ascertain who are outside. Be thou ready only, and trust to me for the rest. Nay, I will come with thee—look!"
The place was dark, for there was no illumination behind the temple, and by its mass a broad shadow was thrown on the recess in which the door was situated. The girl stepped into it, followed by the Brahmun, and opened the door slightly. A number of dark forms were sitting without on a small terrace, from whence descended a flight of steps into the ravine. One rose. "Wagya!" she said in a low voice.
"I am here, lady," he replied; "is it time?"