As the principal scenes were laid out of doors in the middle of the bush, and under a blazing tropical sun, this, as was pointed out to me, was a pretty "big order." Nevertheless, I thought I could "stick it"; and, as a matter of fact, I did, though I suffered for it afterwards.
My part was, of course, that of the "White Goddess." I was supposed to have been cast ashore as a babe on the coast of Togo, and taken up-country by the savages who found me, and who afterwards placed me in charge of their principal ju-ju shrine, paying me, in the course of time, almost divine honours.
I had grown to womanhood without ever having seen one of my own colour and race, and when a white hunter (Major Schomburgk) was taken prisoner by the tribe whose high priestess I was, I was naturally attracted to him. Bound hand and foot, he was cast into a hut, preparatory to being put to death. I had to free him from his bonds, and guide him in a wild flight for freedom over rocks and bushes, through foaming streams, and up hill and down dale.
All this I did. It is the great scene of the play, and to film it took one whole day. Major Schomburgk had given strict orders for all our eight hundred or so of supers to muster at 6 A.M. sharp, but with the irritating perverseness of natives they did not put in an appearance until 10 A.M., when, of course, the sun was already high in the heavens.
This added tremendously to my trials and tribulations, and was, in fact, to a great extent the cause of my subsequent breakdown. By noon, when the sun was directly overhead, it was so hot that the operator was unable to bear to touch with his ungloved hand the brass work of his machine.
How I got through the afternoon's work I don't know to this day. I managed it somehow. There is a marvellous sustaining power in the mere nervous tension of acting, and the click, click, click of the camera helps to keep one tuned up as it were. But directly it was all over I fell fainting on my camp bed in my hut, and the doctor had to be called in. My feet were all cut and scarred, and full of thorns and jiggers.[1] My legs, too, were pretty badly scratched and torn. And, to crown all, I had got a "touch of the sun."
[1] Also known as the chigoes and the sand-flea.
The next day I was in a high fever, and the day after that in a higher one. Malaria had gripped me, and I really thought at one time that my first African photo-play rehearsal was going to be my last one. Even the doctor looked grave after the first week or so. "You have got malarial fever," he explained, "and you have got it pretty badly. Your spleen is about four times larger than it ought to be, and if you cough it will probably burst."
As at that time I was troubled with an almost incessant cough, this was not consoling. However, liberal doses of quinine, repeated at frequent intervals, cured me at last, and in order to celebrate my convalescence, as soon as I felt well enough I prepared a little dinner with my own hands, and invited Baron Codelli and Major Schomburgk to my hut to partake of it.
