We passed few persons on that golden morning. I remember a renter riding his plough horse in its ploughing gears; great wooden hames, broad breeching, and rusty trace chains rattling and clanking with every stride of the heavy horse; the renter in his patched and mud-smeared clothes,—work-harness too. A genius might have painted him and gotten into his picture the full measure of relentless destiny and the abominable indifference of nature.
Still it was not the man, but the horse, that suggested the tremendous question. One felt that somehow the man could change his station if he tried, but the horse was a servant of servants, under man and under nature. The broad, kindly, obedient face! It was enough to break a body's heart to sit still and look down into it. No trace of doubt or rebellion or complaint, only an appealing meekness as of one who tries to do as well as he can understand. Great simple-hearted slave! How will you answer when your master is judged by the King of Kings? How will he explain away his brutality to you when at last One shall say to him, "Why are these marks on the body of my servant?"
The Good Book tells us on many a page how, when we meet him, we shall know the righteous, but nowhere does it tell more clearly than where it says, he is merciful to his beast. In the Hills there was no surer way to find trouble than to strike the horse of the cattle-drover. I have seen an indolent blacksmith booted across his shop because he kicked a horse on the leg to make him hold his foot up. And I have seen a lout's head broken because the master caught him swearing at a horse.
As we rode, the day opened, and leaf and grass blade glistened with the melting frost. The partridge called to his mate across the fields. The ground squirrel, in his striped coat, hurried along the rail fence, bobbing in and out as though he were terribly late for some important engagement. The blackbirds in great flocks swung about above the corn fields, man[oe]uvring like an army, and now and then a crow shouted in his pirate tongue as he steered westward to a higher hill-top.
All the people of the earth were about their business on this October morning. Sometimes an urchin passed us on his way to the grist mill, astride a bag of corn, riding some ancient patriarchal horse which, out of a wisdom of years, refused to mend his gait for all the kicking of the urchin's naked heels. And we hailed him for a cavalier.
Sometimes a pair of oxen, one red, one white, clanked by, dragging, hooked in the yoke-ring, a log chain that made a jerky trail in the road, like the track of a broken-backed snake, and we spoke to the driver, inquiring which one was the saddle horse, and if the team worked single of a Sunday. And he answered with some laughing jeer that set us shaking in our saddles.
We had passed the flat lands, and were half way up Thornberg's Hill, a long gentle slope, covered with vines and underbrush and second-growth poplar saplings, when I heard a voice break out in a merry carol,—a voice free, careless, bubbling with the joy of golden youth, that went laughing down the hillside like the voice of the happiest bird that was ever born. It rang and echoed in the vibrant morning, and we laughed aloud as we caught the words of it:
"Can she bake a cherry pie, Billy Boy, Billy Boy?
Can she bake a cherry pie, charming Billy?
She can bake a cherry pie quick as a cat can wink its eye,
She's a young thing and can't leave her mother."
It required splendid audacity to fling such rippling nonsense at the feathered choirs in the sassafras thickets, but they were all listening with the decorous attitude of a conventional audience. I marked one dapper catbird, perched on a poplar limb, who cocked his head and heard the singer through, and then made that almost imperceptible gesture with which a great critic indicates his approval of a novice. "Not half bad," he seemed to say,—this blasé old habitué of the thicket music-halls. "I shouldn't wonder if something could be made of that voice if it were trained a trifle."
We broke into a trot and, rounding a corner of the wood, came upon the singer. She was a stripling of a girl in a butternut frock, standing bolt upright on a woman's saddle, tugging away at a tangle of vines, her mouth stained purple with the big fox-grapes, her round white arms bare to the elbows, and a pink calico sun-bonnet dangling on her shoulders, held only by the broad strings around her throat.