"Damn it," cried the hunchback, striking his clenched right hand into the palm of his left, "ain't I stood over every one of the shirkin' pot-wallopers from the mountains to the Gauley an' showed him how to shoe a horse, an' told him over an' over just what to do an' how to do it, an' put my finger on the place? An' by God! The minute my back's turned, he'll lame a horse with a splintered nail, or bruise a frog with a pinchin' cork, or pare off the toe of the best mare that ever walked because he's too damn' lazy to make the shoe long enough."
Ump turned savagely and went around El Mahdi to the Bay Eagle, put the bit in her mouth and mounted the mare. I bridled El Mahdi and climbed into the saddle, and we rode out toward the Valley River, on the way but an hour ago taken by the lieutenants of Woodford. We had watched them from the tavern door, Peppers riding between the other two, rolling in his saddle and brandishing his fist. Both he and Malan rode the big brown cattle-horses of Woodford, while Lem Marks rode a bay Hambletonian, slim and nervous, with speed in his legs. The saddles were all black, long skirted, with one girth,—the Woodford saddles.
We followed in the autumn midday. It might have been a scene from some old-time romance—musketeers of the King and guards of his mighty Eminence setting out on a mission which the one master wished and the other wished not; or the iron lieutenants of Cromwell riding south in the wake of the cavaliers of Charles.
For romance, my masters, is no blear-eyed spinster mooning over the trumpery of a heyday that is gone, but a Miss Mischief offering her dainty fingers to you before the kiss of your grandfather's lips is yet dry on them. The damask petticoat, the powdered wig, and the coquettish little patch by her dimpled little mouth are off and into the garret, and she sweeps by in a Worth gown, or takes a fence on a thoroughbred, or waits ankle deep in the clover blossoms for some whistling lover, while your eyes are yet a-blinking.
The blacksmith-shop sat at a crossroads under a fringe of hickory trees that skirted a little hill-top. It was scarcely more than a shed, with a chimney, stone to the roof, and then built of sticks and clay. Out of this chimney the sparks flew when the smith was working, pitting the black shingle roof and searing the drooping leaves of the hickories. Around the shop was the characteristic flotsam, a cart with a mashed wheel, a plough with a broken mould-board, innumerable rusted tires, worn wagon-irons, and the other wreckage of this pioneer outpost of the mechanic.
At the foot of the hill as we came up, the Cardinal caught a stone between the calks of one of his hind shoes, and Jud got off to pry it out. Ump and I rode on to the shop and dismounted at the door. Old Christian was working at the forge welding a cart-iron, pulling the pole of his bellows, and pausing now and then to turn the iron in the glowing coals.
He was a man of middle size, perhaps fifty, bald, and wearing an old leather skull-cap pitted with spark holes. His nose was crooked and his eyes were set in toward it, narrow and close together. He wore an ancient leather apron, burned here and there and dirty, and his arms were bare to the elbows.
I led El Mahdi into the shop, and Christian turned when he heard us enter. "Can you tack on a shoe?" said I.
The smith looked us over, took his glowing iron from the forge, struck it a blow or two on the anvil, and plunged it sizzling into the tub of water that stood beside him. Then he came over to the horse. "Fore or hind?" he asked.
"Left hind," I answered; "it's broken."