Jud threw back his shoulders and shouted; and someone answered from the other side, "Who-ee!" a call that is said to reach farther than any other human sound. It came high up over the water, clear enough, but as from a great distance. There were no bells at the crossings in this land. Every man carried a voice in his throat that could reach half a mile to the grazing steers on the sodded knobs.

The two sons of old Jonas Horton maintained the ferry as their father had done before them. It was an inheritance, and it was something more than this. It was a trust, a family distinction, like a title,—something which they were born into, as a Hindoo is born into his father's trade. If they had been ousted from this ferry, they would have felt themselves as hopelessly wronged as the descendants of an old house driven from their baronial estate.

The two, Mart and Danel, lived with the mother, a flat, withered old woman, in a log house by the river. They were tall, raw-boned, serious men, rarely leaving the river, and at such times hurrying back uneasy. Their faces at the church or in the village were anxious, as of one who leaves his house closed with a fire roaring in the chimney; or better, perhaps, of some fearful child who has stolen away from his daily everlasting task. Sometimes the mother would say, "There is no meal in the barrel," or, "You're drinking the last of the coffee;" and they would look at each other across the table, troubled, as men dire beset called upon to decrease the forces of a garrison. Then one would set out with a bag on his shoulder, throwing his long body forward at each step and dangling his arms, hurrying as though he ought not to take the time.

Presently the boat crept towards us out of the water, swung down swiftly and ground its nose in the bank. The two ferrymen were bareheaded, in their brown homespun coats. They had possibly been at supper, and turned around on their bench to answer through the open door. They inquired if we all wished to be set over, and we rode on to the boat for answer. The man in the bow reached up and caught the cable with a sort of iron wrench, and began to pull. The other took a pole lying by the horses' feet, thrust it against the bank and forced the boat out into the water. Then he also took a wrench from his pocket, and when his brother, walking down the length of the barge from bow to stern, reached the end, he caught the cable and followed, so that the pull on the wire was practically continuous.

The warm south wind blew stiffly in our faces and the horses shifted their feet uneasily. If the Valley River was ugly from its bank it was uglier from its middle. It tugged at the boat as though with a thousand clinging fingers, and growled and sputtered, and then seemed to quit it for a moment and whisper around the oak boards like invisible conspirators taking counsel in a closet. A scholar on that water nursing his sallow face in the trough of his hand would have fallen a-brooding on the grim boatman crossing to the shore that none may leave, or the old woman of the Sanza, poling her ghostly, everlasting raft; and had he listened, he could have heard the baying of the three-mouthed hound arousing the wardens of the Vedic Underworld to their infernal watching by that water we all must cross.

I think the hunchback had no idea of the moods of nature; at any rate they never seemed to affect him. To him all water was something to drink or something to swim in, and the earth was good pasture or hard road to ride a horse over. The grasp of no agnostic was more cynical. He inquired if any of Woodford's men had crossed that day, and was answered that they had not.

Then he began to hum a hoary roundelay about the splendid audacity of old Mister Haystack and his questionable adventures, set to an unprintable refrain of "Winktum bolly mitch-a-kimo," or some such jumble of words. I have never heard this song in the mouth of any other man. He must have found it somewhere among the dusty trumpery of forgotten old folk-lyrics, and when he sang it one caught the force of the Hebraic simile about the crackling of thorns under a pot.

Jud laughed, and the hunchback piped a higher cackle and dangled his bridle rein. "Humph," he said, "maybe you don't like that song."

"It ain't the song," replied Jud.

"Maybe you don't like the way I sing it," said he.