The Darrow Enigma

by Melvin L. Severy

he must have passed through a period as long as that separating the Siege of Troy from the “late unpleasantness.” The afternoon came at last, however. The party consisted, besides Darrow and his daughter, Maitland and myself, of two young gentlemen with whom personally I had but a slight acquaintance, although I knew them somewhat by reputation. The younger one, Clinton Browne, is a young artist whose landscapes were beginning to attract wide attention in Boston, and the elder, Charles Herne, a Western gentleman of some literary attainments, but comparatively unknown here in the East. There is nothing about Mr. Herne that would challenge more than passing attention. If you had said of him, “He is well-fleshed, well-groomed, and intellectually well-thatched,” you would have voiced the opinion of most of his acquaintances.

This somewhat elaborately upholstered old world has a deal of mere filling of one kind and another, and Mr. Herne is a part of it. To be sure, he leaves the category of excelsior very far behind and approaches very nearly to the best grade of curled hair, but, in spite of all this, he is simply a sort of social filling.

Mr. Browne, on the other hand, is a very different personage. Of medium height, closely knit, with the latent activity and grace of the cat flowing through every movement and even stagnating in his pose, he is a man that the first casual gaze instantly returns to with sharpened focus. You have seen gymnasts whose normal movements were slowly performed springs, just as rust is a slow combustion and fire the same thing in less time. Well, Clinton Browne strongly suggested that sort of athlete. Add to this a regularly formed, clearly cut, and all-but-beautiful face, with a pair of wonderfully piercing, albeit somewhat shifty, black eyes, and one need not marvel that men as well as women stared at him. I have spoken of his gaze as “somewhat shifty,” yet am not altogether sure that in that term I accurately describe it. What first fastened my attention was this vague, unfocussed, roving, quasi-introspective vision flashing with panther-like suddenness into a directness that seemed to burn and pierce one like the thrust of a hot stiletto, His face was clean-shaven, save for a mere thumb-mark of black hair directly under the centre of his lower lip. This Iago-like tab and the almost fierce brilliancy of his concentrated gaze gave to his countenance at times a sinister, Machiavellian expression that was irresistible and which, to my thinking, seriously marred an otherwise fine face. Of course due allowance must be made for the strong prejudice I have against any form of beard. However, I’d wager a box of my best liver-pills against any landscape Browne ever painted,—I don’t care if it’s as big as a cyclorama,—that if he had known how completely Gwen shared my views,—how she disliked the appearance of bewhiskered men,—that delicately nurtured little imperial would soon have been reduced to a tender memory,—that is to say, if a physician can diagnose a case of love from such symptoms as devouring glances and an attentiveness so marked that it quite disgusted Maitland, who repeatedly measured his rival with the apparent cold precision of a mathematician, albeit there was warmth enough underneath.

This singular self-poise is one of Maitland’s most noticeable characteristics and is, I think, rather remarkable in a man of such strong emotional tendencies and lightning-like rapidity of thought. No doubt some small portion of it is the result of acquirement, for life can hardly fail to teach us all something of this sort; still I cannot but think that the larger part of it is native to him. Born of well-to-do parents, he had never had the splendid tuition of early poverty. As soon as he had left college he had studied law, and had been admitted to the bar. This he had done more to gratify the wishes of his father than to further any desires of his own, but he had soon found the profession, so distasteful to him that he practically abandoned it in favour of scientific research. True, he still occasionally took a legal case when it turned upon scientific points which interested him, but, as he once confessed to me, he swallowed, at such times, the bitter pill of the law for the sugar coating of science which enshrouded it. This legal training could, therefore, it seems to me, have made no deep or radical change in his character, which leads me to think that the self-control he exhibited, despite the angry disgust with which I know Browne’s so apparent attentions to Gwen inspired him, must, for the most part, have been native to him rather than acquired.

Nothing worthy of record occurred until evening; at least nothing which at the time impressed me as of import, though I afterward remembered that Darrow’s behaviour was somewhat strange. He appeared singularly preoccupied, and on one occasion started nervously when I coughed behind him. He explained that a disagreeable dream had deprived him of his sleep the previous night and left his nerves somewhat unstrung, and I thought no more of it.

When the light failed we were all invited into the parlour to listen to
a song by Miss Darrow. The house, as you are perhaps aware, overlooks
Dorchester Bay. The afternoon had been very hot, but at dusk a cold east
wind had sprung up, which, as it was still early in the season, was not
altogether agreeable to our host, sitting as he was, back to, though
fully eight feet from, an open window looking to the east. Maitland,
with his usual quick observation, noticed his discomfort and asked if he
should not close the window. The old gentleman did not seem to hear the
question until it was repeated, when, starting as if from a reverie, he
said: “If it will not be too warm for the rest of you, I would like to
have it partly closed, say to within six inches, for the wind is cold”;
and he seemed to relapse again into his reverie. Maitland was obliged to
use considerable strength to force the window down, as it stuck in the
casing, and when it finally gave way it closed with a loud shrieking
sound ending in the bang of the counterweights. At the noise Darrow
sprang to his feet, exclaiming: “Again! The same sound! I knew I could
not mistake it!” but by this time Gwen was at his side, pressing him
gently back into his seat, as she said to him in an undertone audible
to all of us: “What is it, father?” The old gentleman only pressed her
closer by way of reply, while he said to us apologetically: “You must
excuse me, gentlemen. I have a certain dream which haunts me,—the dream
of someone striking me out of the darkness. Last night I had the same
dream for the seventh time and awoke to hear that window opened. There
is no mistaking the sound I heard just now; it is identical with that
I heard last night. I sprang out of bed, took a light, and rushed down
here, for I am not afraid to meet anything I can see, but the window
was closed and locked, as I had left it! What do you think, Doctor,” he
said, turning to me, “are dreams ever prophetic?”
“I have never,” I replied, anxious to quiet him, “had any
personal experience justifying such a conclusion.” I did not tell him
of certain things which had happened to friends of mine, and so my reply
reassured him.

Maitland, who had been startled by the old gentleman’s conduct, now returned to the window and opened it about six inches. There was no other window open in the room, and yet so fresh was the air that we were not uncomfortable. Darrow, with ill-concealed pride, then asked his daughter to sing, and she left him and went to the piano. “Shall I not light the lamp?” I asked. “I think we shall not need it,” the old gentleman replied, “music is always better in the gloaming.”

In order that you may understand what follows, it will be necessary for me to describe to you our several positions in the room. The apartment is large, nearly square, and occupies the southeast corner of the house. The eastern side of the room has one window, that which had been left open about six inches, and on the southern side of the room there were two windows, both of which were securely fastened and the blinds of which had been closed by the painters who, that morning, had primed the eastern and southern sides of the house, preparatory to giving it a thorough repainting. On the north side of the room, but much nearer to the western than the eastern end, are folding doors. These on this occasion were closed and fastened. On the western side of the room is the piano, and to the left of it, near the southwest corner, is a door leading to the hallway. This door was closed. As I have already told you, Darrow sat in a high-backed easy-chair facing the piano and almost in the centre of the room. The partly opened window on the east side was directly behind him and fully eight feet away. Herne and Browne sat upon Darrow’s right and a little in front of him against the folding doors, while Maitland and I were upon his left, between him and the hall door. Gwen was at the piano. There are no closets, draperies, or niches in the room. I think you will now be able to understand the situation fully.

Whether the gloom of the scene suggested it to her, or whether it was merely a coincidence, I do not know, but Miss Darrow began to sing “In the Gloaming” in a deep, rich contralto voice which seemed fraught with a weird, melancholy power. When I say that her voice was ineffably sympathetic I would not have you confound this quality either with the sepulchral or the aspirated tone which usually is made to do duty for sympathy, especially in contralto voices. Every note was as distinct, as brilliantly resonant, as a cello in a master’s hand. So clear, so full the notes rang out that I could plainly feel the chair vibrate beneath me.

“In the gloaming, O my darling!
When the lights are dim and low,
And the quiet shadows falling
Softly come and softly go.
When the winds are sobbing faintly
With a gentle unknown woe,
Will you think of me and love me
As you did once, long ago?
“In the gloaming, O my darling!
Think not bitterly of me,
Though I passed away in silence,
Left you lonely, set you free.
For my heart was crushed with longing.
What had been could never be:
It was best to leave you thus, dear,
Best for you and best—”