CHAPTER XIII
THE BEST INTERESTS OF MONTGOMERY
Phil dropped into the "Evening Star" office to write an item about the approaching Christmas fair at Center Church, for which she was the publicity agent. Incidentally she asked Billy Barker, the editor, to instruct her in the delicate art of proof-reading. As he was an old friend she did not mind letting him into the secret of "The Dogs of Main Street." Barker's editorial sense was immediately roused by Phil's disclosure. He said he would write to "Journey's End" for advance sheets and make it a first-page feature the day it appeared.
Montgomery was a literary center; in the early eighties it had been referred to by the Boston "Transcript" as the Hoosier Athens; and the Athenians withheld not the laurel from the brows of their bards, romancers, and essayists. Not since Barker had foreshadowed the publication of "The Deathless Legion," General Whitcomb's famous tale of the Cæsars, had anything occurred that promised so great a sensation as the news that Phil had ventured into the field of authorship. Barker even fashioned phrases in which he meant to publish the glad tidings,—"a brilliant addition to the Hoosier group"; "a new Jane Austen knocks at the door of Fame," etc. He jotted down a list of the commonest typographical symbols, and warned Phil against an over-indulgence in changes, as it might prejudice the "Journey's End" office against her.
"I was about to offer you a job, Phil, but now that you're a high-priced magazine writer I'm ashamed to do it. Our local has skipped and I'm almost up against going out to chase a few items myself. You might pull out that church fair a few joints, or I'll be reduced to shoving in boiler plate on the first page; which is reprehensible. Kindly humble yourself and give me some 'Personal and Society,'—some of your highly interesting family must be doing something or somebody,—dish it up and don't spare the gravy."
"You haven't heard rumors that the Hastings is to be turned into a fil-lum show-house, have you?" asked Phil, fishing a lead pencil stub from her pocket.
"Lord, no! Has our own Hamlet come to that? Write a hot roast of it; turn the screw on this commercializing of our only theater—this base betrayal of public confidence by one to whom we all looked for nobler things. I'm sore at Lawrence anyhow for kicking at our write-up of those outlaws who strolled through here playing 'She Never Told Her Love.' The fact is that girl told it in the voice of one who should be bawling quick orders in a hole-in-the-wall restaurant. Here's where we taunt Mr. Hastings with his own lofty idealism. Have all the fun with him you like; and not a soul shall ever know from me who knocked him."
Phil nibbled her pencil meditatively.
"You've got the wrong number. Lawrince hasn't found the price yet; he's only getting estimates; but you'd better coax him to make the change—bring the drammer closer to the hearts of the people. None of these cheap fil-lums where a comic dog runs in and upsets the tea-table, just as the parson is about to say grace, but the world's greatest artists brought within the reach of all who command the homely nickel. Do you follow me, O protector of the poor?"
"I see your family pride is stung, Phil. Let it go at that. There's a cut of Hastings as Romeo that I'm utilizing as a paper-weight, and I'll run that just to show there's no hard feeling. By the by, Phil, how's your pa getting on with the traction company?"