A TRANSACTION IN APPLES

Phil was not visible the next morning when at seven o'clock Kirkwood glanced about the house for her. She had indulged herself in the matter of rising since the high-school bell no longer regulated her habits, and her father had hardly expected to see her. There was no morning newspaper to read—he took a Chicago daily at his office—and he opened the windows and doors to admit the air. Domestic affairs interested Thomas Kirkwood little. During the years in which Phil was passed from aunt to aunt he had lived at the Morton House, and after establishing the new home that he might have her with him, one or another of the aunts had supervised his household, and at times, to his discomfiture, all had taken a hand at it.

This rented cottage where the Kirkwoods lived was in the least fashionable part of Main Street, beyond the commercial district and near the railroad. Trains thundered through a cut not far from the rear fence, and the cars of the Sycamore Traction Company rumbled by at intervals. The cottage was old but comfortable, and it was remarked that Kirkwood had probably chosen it for the reason that he could go to and from his office without passing his abandoned home. Phil liked living on Main Street. Her devotion to that thoroughfare had been a source of great pain to her aunts. Even as her Uncle Amzi absorbed local color from the steps of his bank, Phil was an alert agent in the field, on nodding terms with the motormen of the interurban cars, and with the jehus, who, cigarette in mouth and hat tipped on one side, drove the village hacks. Captain Joshua Wilson, who had been recorder of his county continuously since he lost a leg at Missionary Ridge, and who wrote a poem every year for the reunion of his regiment, had written certain lines for the "Evening Star" in which "P. K." was addressed as the Diana of Main Street. As to the soundness of his mythology there might be debate, but there was no question as to Phil's thorough identification with Main Street, all the way from her father's house, past the court-house, shops, and banks, out to the old Sugar Creek Bridge where the town became country without any warning whatever.

It was Judge Walters who first called her "Otherwise Phyllis." This was in Phil's school days before she passed from her aunts' custody. The judge delighted in Phil's battles with the aunts. Whenever his wife began to recount a day's occurrences at the supper-table, and the recital opened promisingly, it was the judge's habit to cut short her prefaces with, "Otherwise Phyllis—" and bid her hurry on to the catastrophe, sparing no tragic detail.

Kirkwood had never, from the day his wife left him, offered himself in the market-place as an object of sympathy. He had been a man of reserves at all times, and the sudden termination of his married life had merely driven him in further upon himself. If he was broken-hearted, the fragments were well hidden. He felt that he was a failure, and he saw men of less ability passing him in the race. Now and then he had roused himself under stress and demonstrated his unusual gifts by striking successes; but after one of these spurts he would relapse into an indifference to which he seemed increasingly ready to yield.

He had risen this morning with a new resolution, attributable to his talk with Nan Bartlett the night before. Even if he did not care for himself, there was always Phil to consider. And Phil was very much to consider. She had decided for herself that the high school had given her all the education she needed. Kirkwood had weighed the matter carefully and decided that she would not profit greatly by a college course—a decision which Phil had stoutly supported. Her aunts favored a year at a finishing school to tone down her rough edges, but having laid their plan before their brother Amzi that gentleman had sniffed at it. What was the use of spoiling Phil? he demanded. "Thunder!" And there was no reason in the world why Phil should be spoiled.

Phil was not, in any view of the case, an ignorant person. She knew a great many things that were not embraced in the high-school curriculum. Her father harbored an old-fashioned love of the poets; which is not merely to say that at some time in his life he had run through them, but that he read poetry as one ordinarily reads novels, quite naturally and without shame. Something of his own love of poetry had passed to his daughter. He had so trained her that literature meant to Phil not printed pages, but veritable nature and life. Books were a matter of course, to be taken up and put down as the reader pleased, and nothing to grow priggish about. She had caught from him an old habit, formed in his undergraduate days, of a light, whimsical use of historical and literary allusions. She entered zestfully into the spirit of this kind of fooling; and, to his surprise, she had developed an astonishing knack of imitation and parody. Sometimes Kirkwood without preluding, would utter a line for Phil to cap; they even composed sonnets in this antiphonal fashion and pronounced them superior to the average magazine product. Phil had not only learned much from her father, but she had absorbed a great deal of lore at the Bartletts', where everything bookish was vitalized and humanized.

Kirkwood, hearing the creak of the swinging door between the pantry and dining-room,—a familiar breakfast signal,—chose with care a volume of Bagehot and carried it to the table which had been set, he imagined, by the "girl" selected by his sisters-in-law to carry on his establishment during the winter.

He helped himself to grapes, and was eating with his eye on a page of Bagehot when the door swung again and Phil piped a cheerful good-morning. She was an aproned young Phil and her face was flushed from recent proximity to the range. She described her entrance in lines she had fashioned for the purpose:—

"She came
While yet the jocund day was young, and fetched
In hands but lightly singed upon the stove
The coffee-pot, with muddy contents filled—"