“How funny you are! I wish I weren’t afraid of you.”

“I’ve made a careful study of the phobias, and there is nothing in the best authorities to justify a fear of me. I’m as tame as buttered toast.”

“Well, it’s clear Mr. Amidon isn’t afraid of you!”

“I’m relieved—infinitely; I’m in mortal terror of him. He’s fixed standards of conduct for me that make me nervous. I’m afraid the young scoundrel will catch me with my visor down some day; then smash goes his poor idol. I’m glad you spoke of him; if he wasn’t at your luncheon—a guess you scorned to notice—I suppose you met by chance, the usual way.”

“It was just like that,” she laughed. “Very much so!”

“H’m! I warn you against accepting the attentions of just any young man who strolls up the river. A girl of your years must be discreet. Your early knowledge of Mr. Amidon in the loved spots your infancy knew won’t save you. You’d better refer all such matters to me. Pleasant as this is, you’re going to miss your car if you don’t rustle. And Harrington’s bawling his head off trying to fore me away. Good-bye!”

With a neat stroke he landed his ball on the green and ran after it to raise the blockade. When Nan had halted the car and climbed into the vestibule, she waved her hand, a salute which he returned gallantly with a sweep of his cap.

CHAPTER III
MR. FARLEY BECOMES EXPLICIT

The Farleys had lived for twenty years in an old-fashioned square brick house surrounded by maples. The lower floor comprised a parlor, sitting-room, and dining-room, with a library on the side. The library had been Farley’s den, where he smoked his pipe and read his newspapers. The bookcases that lined the walls had rarely been opened; they contained the “Waverley Novels,” Dickens’s “Works” complete, and a wide range of miscellaneous fiction, including “Uncle Tom’s Cabin,” most of Mark Twain, Tourgée’s novel of Reconstruction, “A Fool’s Errand,” Helen Hunt Jackson’s “Ramona,” and a number of Mrs. A. D. T. Whitney’s stories for girls—these latter reminiscent of Nan’s girlhood. The brown volumes of “Messages and Papers of the Presidents” were massed on the bottom shelves invincibly with half a dozen “Reports” of the State Geological Survey. The doors of the black-walnut bookcases were warped so that the contents were accessible only after patient tugging. Half the books were upside-down—and had been since the last house-cleaning. The room presented an inhospitable front to literature, and the other arts fared no better elsewhere in the house. A steel engraving of the Parthenon on the dining-room wall confronted a crude print of the Jane E. Newcomb, an Ohio River packet on which Farley had been second mate—and an efficient one—in ’69-’70.

Mrs. Farley had established in her household the Southwestern custom of abating the heat by keeping the outer shutters closed through the middle of the day, and the negro servants who still continued in charge had not changed her system in this or in any other important particular. Nan had not lacked instruction in the domestic arts; in her school vacations she had been thoroughly drilled by Mrs. Farley. Cleanliness in its traditional relationship to godliness had been deeply impressed upon her; and she had been taught to sew, knit, and crochet. She knew how to cook after the plain fashion to which Mrs. Farley’s tastes and experience limited her; she had belonged to an embroidery class formed to give occupation to one of Mrs. Farley’s friends who had fallen upon evil times; and Nan had been the aptest of pupils.