Leah yawned.
Daddy rose, came around the table where Leah sat, and picked her up.
Mother kissed Leah's cheek as her head rested on Daddy's arm.
Daddy carried Leah down the long hallway, passed David's room, and opened the door into her softly lit bedroom. Daddy lowered drowsy Leah to her bed, tucked her in, and kissed her good night.
PART THREE THE PALM TREE STORIES
Realizing that Grandpa does well with stories, Grandchild wants to share in the process. One way for Grandpa to get the youngster involved is to have him or her suggest settings and names for characters.
Often, negotiations for story and character development, in themselves, become family stories and anecdotes; e.g., how a story came to be, and why and how it developed in this or that fashion. Injecting such background as introduction to a series gives a sense of involvement to the immediate and extended family, and to future generations that might come across a copy in an old trunk or tucked away in an obscure corner.
As the grandpa-grandchild discussions move along, and characters, settings and scenes take on substance, Grandpa or Grandma, whichever is the storyteller, may be transformed into a character in the story. I found a way to handle this, and remain inconspicuous, is to assume the role in the story as listener or recorder of adventures narrated by the leading characters.
In this series, Grandpa and Grandchild set the stage for the storytelling. That being done, Grandpa steps back and takes on the role of listener, rarely injecting himself into the narration. Throughout, Grandchild is aware that Grandpa in close by.
Put Palm Trees in Your Stories
'Grandpa, where are you, Grandpa.'