Hilary and Guy were friends. Inseparable, they were inimical. They agreed on nothing, nor had they one taste in common. But maybe it is in a similar tempering of a sense of conduct that Englishmen, regardless of all overt differences, will find their deepest friendships. Conduct was for Guy and Hilary one of three facts, the other two being birth and death. And it is they and their opposites who must finally make the storms of life. Warriors of conduct and enemies of conduct—there is the issue that has still to find its final battlefield. Hilary’s Liberalism, in that issue, would come crashing about his heart; of his head he would take no account, for it is not by the head that one decides in ultimate moments. Guy, tall as a tree, Guy the latter-day “thunder-god of dandies,” would make a flaming figure, standing against the afterglow of the fires of an old religion called aristocracy. But Guy was far from being of those Tories, of whom Mr. Galsworthy has written with such cruel sympathy in Fraternity and The Patrician, who are obsessed by an illusion of their own exclusive right to national captaincy. Guy did not think that the hope for England or the world lay in himself or his caste. He was not a clever man; but his contempt for politics was born of a conviction that there was no hope of curing the diseases of life and society by anything that any body of men could do. Men individually must clean themselves within, questing for and grasping what cleanness there was in them. There was a frozen storm in Guy’s eyes, and they were very clean. But, of course, he was not very clever.
Those two men are for me symbols of an England that I love. I am not sure that I can explain what that England is. I am not sure that I would like to explain it even to myself, as, maybe for the same reason, I would not like to read Jane Austen with a mental measure. I am not sure that there ever was such an England. The soil, to be sure, is there, the clouds across the sun, the teasing humours of the island seasons: the halls, the parklands, the spacious rooms, they are there. But the figures that sweep across them—are these that we see, all? Are there no others, lost somewhere, calmly ready to show themselves—are these that we see, all? These healthy, high-busted women with muscles like those of minotaurs, these girls who are either stunned with health or pale with the common vapours of common dancing-halls, these stout, graceless ones here, those too slender, bloodless ones there, these things that have no voice between a shout and a whisper, these things that have yielded to democracy nothing but their dignity—are these that we see, all? These rather caddish young men who have no vision between a pimply purity and vice, who are without the grace with which to adorn ignorance or the learning with which to make vulgarity tolerable, these peasant-minded noblewomen, these matrons who appear to have gained in youth what they have lost in dignity, these toiling dancers, these elderly gentlemen with their ungallant vices—are these that we see, all? Or was there never such an England? Were the parklands and the spacious rooms never peopled but by nincompoops let loose by wealth among the graces of learning and fashion? Was there never such an England as I myself once saw in the magic of a spring morning in London? It was no more than the passing picture of Guy de Travest walking by the sulky side of Piccadilly, as he must always do to pass between his house in Belgrave Square to his club in Saint James’s Street, to which a few gentlemen will still absently resort. I saw Guy walking against the broken sunlight of the Green Park, and then I did not see Guy. It was as though from one step to another he had walked into a dimension wherein the desires of his heart melted his person into the England of his heart, and he was rendered invisible in the ambience of the Green Park and against the ancient landscape of Saint James’s.
III
Hilary says that I was very quiet over dinner that night. He remarked it, he says, because it was so unusual. Hilary has an illusion common to Englishmen, that if a man can utter three consecutive sentences without breaking them up with “eh,” “ah,” “hm,” “mm,” and any other noises that may occur to him as fit and proper, he must be held to be talking too much.
How on earth, I was wondering, could I cast the name of Mrs. Storm before my host with even a tolerable hope of his more than grunting at it? For, of course, one never discussed women with Hilary. I believe he had been a member of several clubs once upon a time, but in these degenerate days he had finally withdrawn into the impenetrable fortress of the Marlborough; Guy and he agreeing that, since it was once said of a King of Spain that he had died of etiquette, they envied rather than cared to overlook their young friends in the exercise of the long lives assured to them.
“He will, if you provoke him,” Iris had said, absently enough. And, indeed, never but once had I ever heard Hilary expand at the mention of a woman’s name, and that was when I had provoked him by defending her, the lady in question being one for whom he had a great regard but who had, as they say very aptly in the popular phrase, “gone completely off the rails.” As regards Iris, in that case, it should be child’s work.
Hilary says now that he was able, so soon as I mentioned her name, to account for my subdued air. Such, Hilary says, was the aftermath of Iris’s effect on men. But all he said at the time was, snappy like, that he hadn’t even known she was in London and would I have port or brandy or both, because I was detaining them at my side of the table? I said I was sorry and how amiable Mrs. Storm had been about him. “And fancy,” I said, “her being Gerald’s twin sister!”
“Why ‘fancy’?”
Hilary was annoyed. Now why was Hilary annoyed? Why do men get annoyed?
“She is beautiful,” I said, “she is good, she is——”