The Romantic Lady

by Michael Arlen

It was not until almost the middle of the second year after her marriage that Iris again began to come more or less frequently to see me in the afternoons; but even then several weeks had to pass before I came to realise, and ever so dimly, what lay behind her quietness and silences, to understand the splendid, to me, faith which she put in my companionship.... What had from the first drawn me to her, as to one different from her tiresome and worldly friends, was that she was never noisy in her personal relations. And so, when she now again came to see me after the lapse of that feverish year I had allowed myself, I was slow to see the difference in her usual quietness and silence, slow to find sadness where I had ceased to suspect any.

She never told me anything. That was ever the worst of Iris, she never did tell one anything, anything actual, I mean. She said not a word about her unhappiness until one day I rather violently taxed her with it, and then she seemed surprised that I should ask so obvious a question: that I had not realised for myself the reasons for her failure to capture happiness. She actually seemed to imply that I, her friend, had eyes to see! whereas, God knows, I had little else but a heart to feel....

What a plague to us our friend's reticence can be! No one can well have suffered more from it than I with Iris throughout that time—she, so well versed in that unselfish philosophy of trusting but never burdening a friend; an unselfishness a little unfair to the friend, I think, for he is crowned with friendship's laurels without ever being allowed to pay for them with service. But such was Iris, with her philosophy of barricades.... "No one," said she, "can ever really help one, except, of course, in fetching one a taxi and the like. No one can ever help one to do the odd jobs of the heart and mind. It isn't to be expected. One must work out everything for oneself. There's no real help from outside, it must all come to us from ourselves—though when and how, for I've had mighty little of it."

But I suppose she was right in choosing her own language of silence. For one doesn't, as she said, talk about hell in the Fourth Dimension.... I grew to know quite well enough what it was all about. She could have added nothing to my knowledge but the details of disagreements and the like, which are so often apt to be as mean in repetition as in fact. And she spared me all that at the risk of my impatience—and of much more, she once confided to me later. Dear Iris! How very much good a little more conceit would have done you! you who looked so like an autocrat but never ceased to wonder at the admiration men paid you....

It was Roger Poole who mainly perplexed me. A particular conceit of mine, in fact, received now a sharp rebuff; for, owing to my long familiarity with them, it was always with something of inner superiority that I had listened to any mention of Poole extravagances, thinking that I had measured the brothers with some profundity—to discover now that I had known nothing but the outward complexion of anyway one of them! How could one view him squarely?

But how can a man ever get a whole perspective of another without, as it were, the bedroom key to his passions? In vino veritas may be a good enough test of drunkards by topers, but in amore veritas is surely the very secret of the sphinx, be he drunk or sober. I once heard it said of a popular French Society abbé that "there's no man in France who is more confided in by people who hate each other"; and at the time I thought rather dismally that I had missed my vocation—for, in my small way, the same has happened to me throughout my life; and had I had an orderly mind I might have weaved the intricacies of other peoples' emotions into a famous book, instead of letting them settle into the deplorable chaos which they have always been. But I do know this, that I would know even less than I do of women if I had ever listened to what men said of them, and nothing at all of men if I hadn't listened very attentively to what women said of them. But Iris said almost nothing at all to explain the perversities of this particular man; except, once, that his nerves were as tight and taut as violin strings, and "sometimes so suddenly tuneless that it is difficult to remember what a very precious violin it really is."

In spite of the fact that her mother was passing a very pleasant middle age in widely bewailing that Iris was wasting her youth, that Iris didn't like nor love any one, not even her husband—"that child doesn't like any one, you know! She is so contemptuous!" she'd say brilliantly—Iris, under a becoming air of inaccessibility which could rather appall one, hid an ability to love utterly—such as would quite have shocked those who inveighed against her coldness! And perhaps that hidden warmth of desire in her, the human but divine possibility of absolute surrender, must have been why her very presence in a room so often disturbed one. And now, to Roger! She had given it all to him, the whole surrender—that thing, so warmly full of potentiality, had been all given to him. A marvellous box of tricks to open, each passion to unwind its mystic and craved-for gift! If only he could have taken her love but a tithe so generously as she had given it! And she never dreaming that he wouldn't....

Whether it was from a colossal conceit or from a meanness of vision, he seemed actually not to believe in her love—or, if this was a mad world, he seemed to want more! And he disbelieved not humbly, but with that sharpened scepticism which leaves so lasting a stain—and if he wanted more, he wanted silently, else maybe he had incited her to the bitterest rebellion of all: of telling him that she could love him no more than she already did, were she Psyche and he Cupid in Apuleius's book. He was that difficult kind of man (difficult, anyway, in a woman's first adventure) who never says "I love you," will rather say anything else than that; seeming, perversely, always to be waiting for something else, some further revelation. He was like a wall jagged here and there with sharp flints, against which Iris, in those first months, had hopefully then blindly thrown herself and her love, only to be hurt. He hurt her always, and inexplicably.... Indeed there's no pride in any love worthy of the name. Pride is just an imp, the very last of last resources, to be only used when all those gentler attributes of love have failed—for if love is humbled too far, then pride must become a part of it.

She had felt, even before her marriage, that there were queer depths in Roger which might sometimes make him a little ... unexpected. And, of course, difficult. She might, with this man, have to waive the slight advantage a woman has in loving a gentleman rather than, say, a Dago, which is that a gentleman more or less does what is expected of him, a dull advantage, which Iris's thoughts very easily waived aside, for she was quick to allow as wide a licence for other people's improbabilities as she expected them to allow her. But she hadn't dreamt that the queerest of these, in him, could take so grotesque a shape as cruelty! For, however refined as an art cruelty may become, there is something vulgar and stupid in it as a trait, it must always be the very opposite of the immaculate—and that, as a man and as a lover, Roger had seemed to be. That idea of him, as essentially immaculate, had helped to compel her to him. And so now, hurt her as his cruelty did, it jarred and shocked her even more—that an illusion should have gone so distastefully awry!

There was the perversity of the man—to love, as it were, upside-down. He could not accept a thing as it was, he must dominate and improve it, he in his own way! The joy and gaiety of just loving and being loved seemed to be meaningless to him—a wondrous deficiency in a man who made so brave a show of pleasure seeking! And so, jeering at her spontaneity, sneering at her "effusion"—Iris "effusive"!—dominating her with his sardonic humours, he gradually subdued her. "Subduing" people doesn't depend on your strength but on the other's weakness; and Iris had the terrible weakness of being too easily saddened, too easily influenced to credit that ever-present sense of the inutility and worthlessness of herself as compared to everything and every one; the most weakening trait of all for oneself, the most maddening for one's friends....