[9] Cf. E. and Phoebe, sub fin.; Shep. Sir. 145-8; Ep. Hy. Reyn. 79 sqq.

[10] Those reprints which were really new editions are in italics.

[11] 1594 ed., Pref. Son. and nos. 12, 18, 28; 1599 ed., nos. 3, 31, 46; 1602 ed., 12, 27, 31; and 1603 ed., 47.

[12] Meres thought otherwise. Cf. Palladis Tamia (1598), 'As Accius, M. Atilius, and Milithus were called Tragediographi, because they writ tragedies: so may wee truly terme Michael Drayton Tragaediographus for his passionate penning the downfals of valiant Robert of Normandy, chast Matilda, and great Gaueston.' Cf. Barnefield, Poems: in diuers humors (ed. Arber, p. 119), 'And Drayton, whose wel-written Tragedies, | And Sweete Epistles, soare thy fame to skies. | Thy learned name is equall with the rest; | Whose stately Numbers are so well addrest.'

[13] Cf. Meres, Palladis Tamia (1598), 'Michael Drayton doth imitate Ouid in his England's Heroical Epistles.'

[14] Cf. id., ibid., 'As Lucan hath mournefully depainted the ciuil wars of Pompey and Cæsar: so hath Daniel the ciuill wars of Yorke and Lancaster, and Drayton the civill wars of Edward the second and the Barons.'

[15] Cf. Elegy viij. 126-8.

[16] Cf. Morley's ed., Barons' Wars, &c., 1887, pp. 6-7.

[17] Cf. Elron, pp. 83-93, and Whitaker, M. Drayton as a Dramatist (Public. Mod. Lang. Assoc. of America, vol. xviij. 3).

[18] Cf. Nl. ij. 127 sqq., p. 172.