What intense satisfaction such a journey brings, how different from that of the most luxuriant train, where, no matter how comfortable our bodies may be made, our eyes are constantly irritated by being shut off from some desired view of mountain, town, or castle, by a deep cut or long line of freight cars. One has a proscenium box always when in an automobile, and is enabled to ring down or up the curtain at will. So to-day with not eyes enough to see the beauties of this fair land, we glide onward to the beating of the wings when suddenly on a hill before us sharply silhouetted rise the towers of Carcassonne. The old poem is at fault this time—I have "seen Carcassonne" even though I approach no nearer and surely the prospect is enchanting.
THE FORTIFICATIONS AT THE OLD TOWN OF CARCASSONNE
From a photograph
But is that Carcassonne, or any town built by man's hands? I have seen many a mirage in distant deserts like unto this before me. Through the fantastic dancings of the afternoon's waves of light, the old city looms up as though cut out of black cardboard. Sharply and clearly against the tawny background stands forth every tower and pinnacle, cathedral spire and parapet. Behind it, rise the yellow hills, the green mountains, and the eternal snows, while to the north, east, and west, stretch the undulating valleys of France, clothed now in a blanket of spring blossoms, and over all arches the deep, fathomless, southern sky.
Occupying the top of a hill in the middle fore-ground, yonder dream city of the dark ages needs but the flaunting banners of its ancient lords and the call of trumpets to make the picture perfect. But it is ghostly and silent as we roll by, taking no note of the passage of this strange machine, which, in the Middle Ages, would have produced great commotion amongst its defenders and peopled the walls and towers with thousands to see us pass. To-day no living thing gives evidence of life, not even a dog barks, and as we glide onward and leave it, I wonder again—"Was that Carcassonne, or indeed its mirage? Shall we find it ahead of us; are there two such places in this world of the twentieth century?"
Crossing a fine bridge, we pass through the streets of a comparatively modern town, and draw up at the excellent Hôtel Bernard. It does not take long to wash the dust off and I am shortly en route in a carriage to investigate the old Cité. How ridiculously slowly these horses move, how the trap jolts! It is hot and dusty and there is no singing of the wind as we do not rush along.
I would advise those who would retain their romantic impressions of Carcassonne to content themselves with the vision which greets their eyes in the approach and passing. Then the Cité will dawn and vanish clothed in all the romance of its centuries, but when you really approach its walls and, crossing its drawbridge, enter its portals, all the romance vanishes in a flash. I suppose, as an example of a walled and fortified town, it was well to restore Carcassonne, but from a picturesque and romantic point, such restorations are always a failure. Carcassonne in ruins and covered with trailing vines would yet speak and relate its story, holding you enthralled for hours as you clambered over ruined towers and churches and the abodes of those so long dead. There are the foundations laid by the Romans, with the superstructures of the Visigoths and the battlements of later periods. In yonder citadel there are dungeons under dungeons, and a prison of the Inquisition. That cathedral was founded in the fifth century, rebuilt in the eleventh and twelfth, and restored in 1853. In fact to-day you will find a perfectly restored city, (and still the work goes on), its angles are all sharp, as though cut out of cardboard. You may not enter its citadel used as barracks, but you will in the tour of its walls mount perfectly new stairs, unlock new doors, and find sound floors beneath your feet. Not a shadow of romance or interest attaches to any of this, nor can you re-people in your imagination the place with the life of long ago. As a most perfect example of a walled town it is worthy of inspection, but Viollet-le-Duc has done so much for it and written so much about it, that it would be useless to enter here into detailed description. Loches which we will visit later, is to me of far greater interest and it cannot be said that that is merely a castle and this a whole city, for within those walls is an entire town, and there the ghosts are ever present to one's thoughts.
Carcassonne dates from the days of the Romans, but its higher and greater wall was erected by Theodoric, King of the Visigoths, upon the site of the Roman structure. With the advent of the Moors (713), silence descends upon its history, and does not raise the curtain for four centuries. Of this occupation there are no traces; which is most unusual—not a horseshoe arch or a bit of Arabic in all the town, yet it is said to derive its name from a Saracen Queen named Carcas.