The vast plain spreads away, spangled with daisies. The hedges are all a-blossom, the air is full of perfume and this old world seems young once more, until, as we enter the ancient city of Chartres and pause before her Cathedral, we suddenly drop back again into the Middle Ages.
THE CATHEDRAL AT CHARTRES
By permission of Messrs. Neurdein
This Cathedral of Notre Dame is considered by architects to be the most perfect in France. Its "vast size" is also mentioned. As to the former opinion, it arises, I think, so far as the exterior is concerned, from its simplicity of outlines. One comprehends the whole at a glance, and the eye is not confused and tired by a vast conglomeration of styles, as is the case with many churches. If one were to see this at Chartres first, many of the other cathedrals would impress one as over-dressed, so to speak.
As for its size, after the churches of Rouen, Amiens, and Beauvais, this does not impress me, as it is on a far smaller scale than any of those edifices. For instance, the height of the nave is thirty-four feet less than in the Cathedral of Amiens and forty-seven less than that of Beauvais. Neither is it so long or wide as those of Rouen and Amiens. However, while it is not so vast, it is in its interior much more impressive than Amiens. Because of its ancient windows, it holds a "dim religious light" under its arches soothing to mind and heart. "Peace, be still," pervades the silence and follows you as a benediction when you go hence. But before you go, gaze a while upon the glory of these windows. Europe holds nothing like them. They are perfect, and they are eight hundred years old. Other cathedrals have a few or a few fragments, here are one hundred and thirty perfect windows; and from the great rose circle forty feet in diameter to those surrounding the aisles, all are full of that beautiful painted glass, such as we are not able to produce in this latter day.
After all, the glory of this Church of our Lady is in such details as this, and in her exquisite lace-like carvings in stone, surrounding the outer wall of the choir. These, together with the Gothic porticoes on the north and south side, form the objects of the greatest beauty and interest in Chartres.
THE NORTH PORTAL OF THE CATHEDRAL AT CHARTRES
By permission of Messrs. Neurdein